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STILL ALIVE

A HOLOCAUST GIRLHOOD REMEMBERED

A work of such nuance, intelligence, and force that it leaps the bounds of genre.

Stunning contemplation of human relationships, power, and the creation of history through the prism of one woman’s Holocaust survival.

In language that is both marvelously blunt and bitingly sharp, former concentration-camp inmate Kluger (German Literature/Univ. of California, Irvine) recalls her experience growing up in Austria at precisely the right age to have her childhood circumscribed and eventually choked by Viennese anti-Semitism and Hitler's war machine. Placed in Theresienstadt at age 12, she escaped the gas chamber through an accident of fate (an offhand act of kindness from a Nazi) and spent the war shuttling from camp to camp with her mother, who also survived. After a strangely simple escape from one of the final death marches of the war, they immigrated to New York City. Kluger dives in an out of her narrative to consider such topics as her imperfect relationship with her family, her creation of herself as a social being, and the encounters and relationships she's had with Germans since the war. She considers the nature of power and who holds it, extending her line of thought to the crushing sexism of the ’40s and ’50s and making an excellent case that “the Nazi evil was male, not female.” Though the work is relatively slim, it is all meat; Kluger's bristly intellect makes every page hit hard. “This is not the story of a Holocaust victim,” she asserts. In the place of easy sentimentality, we are given a complex testament, one that handily encompasses such phrases as “in a way, I loved Theresienstadt.” Kluger is the farthest thing from an apologist; she merely refuses ever to simplify.

A work of such nuance, intelligence, and force that it leaps the bounds of genre.

Pub Date: Dec. 1, 2001

ISBN: 1-55861-271-8

Page Count: 224

Publisher: Feminist Press

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 2001

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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