While not perfectly constructed, these stories turn out to be curious, diverse, and enjoyable.
A debut collection offers six wide-ranging short stories on relationships among family, friends, colleagues, and species.
This book covers a vast terrain, exploring numerous styles, settings, and voices. It opens with the very brief “Keeping Busy,” in which Julie, on a smoke break at work, ponders a recent fire that consumed a trailer and man, possibly her co-worker’s brother. She figures the fire started with a cigarette, possibly hers. Julie, her town, and her job all pique interest, but the two-page story is too spare to ground readers or build empathy. “Game Day,” though much longer, has a similar sketchy feel. The story is told by a preschooler, Tommy, who lives with his mother near a large stadium. Tommy is precocious enough to ponder kindergarten and nap simply to improve his mother’s mood, yet seems utterly stymied by the marching band’s instruments at the stadium: “shiny gold funnel shapes” and a “big tummy thing.” A child’s viewpoint is indeed difficult and MacLaurin succeeds in portraying Tommy’s innocence and budding complicity, but the insight isn’t deep enough to create well-rounded characters or necessary tension. “The Greeting” attempts an even more challenging point of view: a dragonfly hoping to welcome two humans, or “Otherkind,” at a lakeshore. While initially confusing, the story shows potential, perhaps as environmental sci-fi. The author hits a stronger stride in “Decision at Camp Ross Trails,” about an eerie Girl Scout camp, and particularly in “Dinner at the Anatevka Grill,” in which a woman shares traditional Russian cuisine and tales of her past with her food critic husband. These characters possess a greater dimension, with their motivations and wants palpable, making the stories believable. “Anatevka Grill” rings true with rich sensory and historical details. The most entertaining story is “Odyssey, with Swine,” the last in the collection. Readers know at the outset where this is headed: a pig will be slaughtered. But they also sense there will be conflict. The narrator’s ensuing “odyssey” aptly pulls the plot—and the pig—toward an inevitable end.
While not perfectly constructed, these stories turn out to be curious, diverse, and enjoyable.Pub Date: Feb. 26, 2012
ISBN: N/A
Page Count: 74
Publisher: QuillerWorks Publishing
Review Posted Online: June 10, 2016
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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