Saving face, face value, and putting on a brave face will all resonate differently with readers of this quirky,...
Three titles inaugurate a new series of short paperbacks offering meditations on the author’s face.
The series was inspired by a passage from Jorge Luis Borges, whose parable finds a man establishing his own world “with images of provinces, kingdoms, mountains, bays, ships, islands, fishes, rooms, instruments, stars, horses, and individuals. A short time before he dies, he discovers that the patient labyrinth of lines traces the lineaments of his own face.” These three book-length essays examine the face as bloodline and lineage, as a mask as permeable as identity. Each is a memoir of sorts, though more of a metaphysical illumination in the case of Ozeki (A Tale for the Time-Being, 2013, etc.), a novelist who is also ordained as a Zen Buddhist priest. Hers, titled A Time Code, is the first and longest and is structured as a three-hour meditation of the author looking in the mirror and recording the ruminations that her reflection conjures. Connecting with the inspiration of Borges, she begins with the Zen koan, “What did your face look like before your parents were born?” Her face reflects her parentage, as the daughter of an American professor and the Japanese woman with whom he fell in love so shortly after the nations had been enemies. Ozeki remembers her face in girlhood and now contemplates it on the cusp of 60, concluding, “my face is and isn’t me. It’s a nice face. It has lots of people in it.” In Cartography of the Void, Abani (The Secret History of Las Vegas, 2014, etc.) also comes to terms with his mixed parentage—white mother and West African father—as he attempts to resolve his ambivalence toward the latter, whose face is now his. With Strangers on a Pier, Aw offers the most straightforward account—and the one least focused on “the face”—of the immigrant family’s experience as their son was raised in “a traditional Chinese family” before he moved to Britain for an education that launched a literary career (Five Star Billionaire, 2013, etc.).
Saving face, face value, and putting on a brave face will all resonate differently with readers of this quirky, philosophical series.Pub Date: March 1, 2016
ISBN: 978-1-63206-052-5
Page Count: 176
Publisher: Restless Books
Review Posted Online: Dec. 7, 2015
Kirkus Reviews Issue: Dec. 15, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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