A sensational cat-and-mouse debut thriller from O’Keefe involving the last potential heir to one of the richest oil fields in the world—and the ruthless conglomerate that wants to take him out.
Reporter Richard Steinman discovers an ancient deed in Austin, Texas, that contains a covenant giving the grantor’s descendants the right to reclaim ownership of the property if any future owner violates its restriction against the extraction of mineral wealth from the land. It just so happens that the land the deed covers is one of the richest oil fields in the world, and Helius Energy, the conglomerate that owns it, has no intention of giving up its gold mine to potential heirs. Steinman is soon on the run from a hired team of killers, while a second team descends on California to wipe out the last surviving heir, John Caine. Caine is unaware of his legacy but is quickly drawn into this nightmarish web in a race to stay alive and unravel the mystery that has put him in danger. His one link in the case is beautiful female attorney Andrea Marenna, who was unwittingly involved through her friendship with Steinman. Caine and Marenna desperately try to piece together the centuries-old puzzle as they struggle to outrun a sophisticated team of assassins whose mission is to permanently silence them. Helius Legacy is a first-rate action/adventure thriller that grips the imagination from page one and takes readers on a roller coaster ride with its many twists, remaining exciting and surprising to the last. Caine proves not to be the “soft target” the killers expected, but a formidable adversary with his own secrets, including his involvement in a covert operations unit in the French Foreign Legion. While often reaching deliciously larger-than-life proportions, O’Keefe’s plot is so well-crafted that it always remains plausible, and his experience as an attorney gives authority and credibility to the legalities. Ultimately not just a great page-turner—a damn good novel.
Pub Date: Sept. 2, 2011
ISBN: 978-1936909216
Page Count: 378
Publisher: Live Oak Book Company
Review Posted Online: Jan. 13, 2012
Kirkus Reviews Issue: Feb. 15, 2012
Review Program: Kirkus Indie
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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