Readers with a generous tolerance for quirkiness will find that this seasonal tale, that’s also a bit about little brothers,...
Penguin, always visible with his orange scarf, wonders what fall looks like in other places—and so does his little brother, Pumpkin.
Penguin and friends shove off on an ice floe to find fall, but Pumpkin is too small to come along. After some floating, they find a farm, which is full of pumpkins of all shapes and sizes. But what really captivates Penguin is the multicolored leaves falling everywhere. Riding in a hollowed-out pumpkin, the group tows another one that’s full of treasures (including books) back home, along with a treat that will show little Pumpkin just what fall looks like. The lines and shapes are muscular and graphic, and the palette is dominated, of course, by shades of orange and the blues and whites of ocean and ice. Pumpkin himself, meanwhile, has imagined fall in a number of other sorts of places with his “space-tacular imagination.” All the penguins have hats or mufflers or glasses or other distinguishing accessories in this series’ odd sort of anthropomorphic community.
Readers with a generous tolerance for quirkiness will find that this seasonal tale, that’s also a bit about little brothers, adventures and the endless diversity of pumpkins, hits the spot. (Picture book. 4-7)Pub Date: July 15, 2014
ISBN: 978-0-8027-3732-8
Page Count: 40
Publisher: Walker
Review Posted Online: May 27, 2014
Kirkus Reviews Issue: June 15, 2014
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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