by Sallie Tisdale ‧ RELEASE DATE: April 1, 2016
Compassion and empathy inform these gracefully wrought essays.
A thoughtful collection about how writing essays “is to be haunted by our own lies.”
In the title piece, Tisdale (Women of the Way: Discovering 2,500 Years of Buddhist Wisdom, 2006, etc.) wrestles with “the ethical dilemma of writing about people who have no say in what we write.” This question seems especially urgent when she writes about her family: her father, an industrial arts teacher, volunteer firefighter, and alcoholic; her mother, who taught music; and her brother and sister, with whom she has strained relationships. Her sister, she writes, “is especially angry about my newest book,” in which she feels unjustly portrayed, “and she is also just angry.” “What is fair for me to say about others?” asks the author. Truth or lies, she believes, are “all just stories; like snow falling, they cover everything up. Family, for most of us, includes lifelong agreements about what is not said.” Many essays focus on Tisdale’s three children, especially her middle son, a rebellious teenager with “a brief career as a juvenile delinquent.” The author meditates on the “stupefying losses” of watching her children outgrow babyhood and the heady responsibility of being “the giver and taker of the world” to them. Some essays discuss her experiences as a nurse. Outstanding among them is a beautiful, quietly meditative piece on her work at an abortion clinic where “weary, grim moments” are countered by her feeling that she offers “solidness” to women in need of her strength. Abortion, she writes, is “merciful violence” that requires “a willingness to live with conflict, fearlessness, and grief.” Less moving is a piece set in an oncology unit, in which reportage overwhelms narrative. Tisdale also looks at women’s obsession with thinness; the phenomenon of Disneyland; and the culture of high school, where the atmosphere is “like some three-dimensional model of chaos theory.”
Compassion and empathy inform these gracefully wrought essays.Pub Date: April 1, 2016
ISBN: 978-0-9904370-8-6
Page Count: 352
Publisher: Hawthorne Books
Review Posted Online: Dec. 20, 2015
Kirkus Reviews Issue: Jan. 1, 2016
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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