Deeply unsettling yet compulsively readable.
A horrific real-life quintuple murder in a sleepy French village inspired this novel.
What would it take to provoke extreme savagery in a seemingly normal person? This is the question Anna Guillot explores after her husband, Constant, kills five members of the Langlois family—Bakary, Sylvia, and their three children—in a fit of extreme rage. For a long time, the residents of the placid French village of Carmac haven't felt any real threats. They watched the November 2015 terrorist attacks in Paris at a remove, through televised media coverage. All that changes when Bakary Langlois arrives with his family. Not only is Bakary Black, he is also rich, a markedly different social class than most other Carmac residents. His custom-built chalet is a source of envy, especially for Constant, his neighbor. Anna narrates two stories: One looks back at her husband’s early days as a promising pole vaulter whose athletic dreams are crushed by a nasty accident while the other details the systematic resentment that builds in an already fractured Constant, whose perceived indignities are compounded when Anna finds work as a maid at the Langlois chalet. Then the cauldron of simmering resentment boils over when Bakary swindles Constant out of his parents’ life savings: 8,000 euros. In her first novel to be translated into English, Sedira packs a powerful punch, exploring the class-race divide through Constant, Anna, and the rest of the town’s residents. The graphic murders stand in stark contrast to Sedira's subtle accounting of Constant’s tortured path. At the center of the tragedy is complicity: Constant is never made to realize that a bad hand might be crippling but not reason enough to take it out on the perceived “other.”
Deeply unsettling yet compulsively readable.Pub Date: July 6, 2021
ISBN: 978-0-14-313627-9
Page Count: 192
Publisher: Penguin
Review Posted Online: May 18, 2021
Kirkus Reviews Issue: June 1, 2021
The best news of all: The climax leaves the door open to further reports from the hilariously misnamed British Intelligence.
A series of mounting complications leads to yet another fight to the death between the discarded intelligence agents of Slough House and the morally bankrupt head of MI5.
As Jackson Lamb’s motley crew on Aldersgate Street struggles to cope with the deaths of River Cartwright’s grandfather and mentor, intelligence veteran David Cartwright, and their dim, beloved colleague Min Harper, new troubles are brewing. Diana Taverner, who runs the British Intelligence Service from Regent’s Park, is being blackmailed by former MP Peter Judd to do his bidding. Nothing untoward about that, of course, but this time, Judd’s demands, backed by a compromising tape recording, are more pressing than usual. So Diana reconvenes the Brains Trust—Al Hawke, Avril Potts, Daisy Wessex, and their ex-boss Charles Cornell Stamoran—whose last assignment was to serve as the contact for psychopathic IRA informant Dougie Malone while turning a blind eye to his multiple rapes and murders, which were really none of the Crown’s business. Taverner’s new assignment for the Brains Trust is the assassination of Judd. Since all these developments are filtered through the riotously cynical lens of Herron’s imagination, nothing goes as planned, and when the smoke clears, the fatalities don’t include Judd. Now that Judd knows he has as much reason to fear Taverner as she does to fear him, Lamb offers to broker a peace meeting between them which Slough House computer geek Roddy Ho will keep secret by knocking out 37 security cameras around Taverner’s dwelling. What could possibly go wrong?
The best news of all: The climax leaves the door open to further reports from the hilariously misnamed British Intelligence.Pub Date: Sept. 9, 2025
ISBN: 9781641297264
Page Count: 352
Publisher: Soho Crime
Review Posted Online: May 30, 2025
Kirkus Reviews Issue: July 1, 2025
PROFILES
PERSPECTIVES
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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