In all, a solid addition to the insect shelves, with a valuable emphasis on science as process.
Markle presents a solid, respectful overview of colony collapse disorder for an audience slightly younger than Loree Griffin Burns’ The Hive Detectives (2010).
The author opens her story in October 2006, with a beekeeper checking on his hive to discover that thousands of his workers have disappeared. From this compelling opening, she backtracks to discuss the importance of honeybees in pollination as well as bee basics. She then moves on to discuss possible causes of CCD: monoculture and suburban sprawl, overwork (a map provides graphic testimony to commercial bees’ arduous schedules), mites, fungus and pesticides. Both natural and human defenses against CCD present some hope. Bees reproduce fast, and adjustments made to bees’ schedules and feeding can help, as does breeding mite- and disease-resistant bees and the rise in hobbyist beekeeping. Markle never talks down to her audience, using specialized vocabulary—Nosema ceranae, varroa mite, neonicotinoid—and lucidly defining it in context as well as gathering it in a glossary. Big, full-color photographs are reproduced against honey-colored backgrounds. (Sharp-eyed readers will wonder why there is no mention of a mite clearly attached to a dead bee in a photograph captioned, “This bee didn’t have any symptoms to show it was sick before it died.”) Further facts as well as ways to help honeybees appear in the backmatter.
In all, a solid addition to the insect shelves, with a valuable emphasis on science as process. (bibliography, index) . (Nonfiction. 9-12)Pub Date: Oct. 1, 2013
ISBN: 978-1-4677-0592-9
Page Count: 48
Publisher: Millbrook/Lerner
Review Posted Online: Aug. 27, 2013
Kirkus Reviews Issue: Sept. 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Contentwise, an arbitrary assortment…but sure to draw fans of comics, of science, or of both.
Flash, Batman, and other characters from the DC Comics universe tackle supervillains and STEM-related topics and sometimes, both.
Credited to 20 writers and illustrators in various combinations, the 10 episodes invite readers to tag along as Mera and Aquaman visit oceanic zones from epipelagic to hadalpelagic; Supergirl helps a young scholar pick a science-project topic by taking her on a tour of the solar system; and Swamp Thing lends Poison Ivy a hand to describe how DNA works (later joining Swamp Kid to scuttle a climate-altering scheme by Arcane). In other episodes, various costumed creations explain the ins and outs of diverse large- and small-scale phenomena, including electricity, atomic structure, forensic techniques, 3-D printing, and the lactate threshold. Presumably on the supposition that the characters will be more familiar to readers than the science, the minilectures tend to start from simple basics, but the figures are mostly both redrawn to look more childlike than in the comics and identified only in passing. Drawing styles and page designs differ from chapter to chapter but not enough to interrupt overall visual unity and flow—and the cast is sufficiently diverse to include roles for superheroes (and villains) of color like Cyborg, Kid Flash, and the Latina Green Lantern, Jessica Cruz. Appended lists of websites and science-based YouTube channels, plus instructions for homespun activities related to each episode, point inspired STEM-winders toward further discoveries.
Contentwise, an arbitrary assortment…but sure to draw fans of comics, of science, or of both. (Graphic nonfiction. 9-12)Pub Date: Feb. 2, 2021
ISBN: 978-1-77950-382-4
Page Count: 160
Publisher: DC
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
Like oil itself, this is a book that needs to be handled with special care.
In 1977, the oil carrier Exxon Valdez spilled 11 million gallons of oil into a formerly pristine Alaskan ocean inlet, killing millions of birds, animals, and fish. Despite a cleanup, crude oil is still there.
The Winters foretold the destructive powers of the atomic bomb allusively in The Secret Project (2017), leaving the actuality to the backmatter. They make no such accommodations to young audiences in this disturbing book. From the dark front cover, on which oily blobs conceal a seabird, to the rescuer’s sad face on the back, the mother-son team emphasizes the disaster. A relatively easy-to-read and poetically heightened text introduces the situation. Oil is pumped from the Earth “all day long, all night long, / day after day, year after year” in “what had been unspoiled land, home to Native people // and thousands of caribou.” The scale of extraction is huge: There’s “a giant pipeline” leading to “enormous ships.” Then, crash. Rivers of oil gush out over three full-bleed wordless pages. Subsequent scenes show rocks, seabirds, and sea otters covered with oil. Finally, 30 years later, animals have returned to a cheerful scene. “But if you lift a rock… // oil / seeps / up.” For an adult reader, this is heartbreaking. How much more difficult might this be for an animal-loving child?
Like oil itself, this is a book that needs to be handled with special care. (author’s note, further reading) (Informational picture book. 9-12)Pub Date: March 31, 2020
ISBN: 978-1-5344-3077-8
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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