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OPAL ON DRY GROUND

Scofield's fifth novel, arguably her best since the award- winning Beyond Deserving (1991), has all the humor and plaintive charm of a good country-western song. In fact, with its cast of oft-divorced characters looking for love within the framework of a big, messy, mix-and-match family in Lubbock, the lyrics would come naturally, Texas twang and all. Opal Duffy, the clan's matriarch, is 58 years old and suffers from various ailments, including brittle bones and a swollen heart. Her biggest problem, though, is that she can't take care of everybody as well as she wants to. She blames herself for the fact that her two daughters, Joy and Clancy, are both divorced and lonely; she also feels guilty that her beloved mother has recently died, at home and alone. The one person for whom Opal can't seem to spare much energy or attention is Russell, her affable, younger third husband. Russell owns the house where Opal's brood has come to roost, but he lies low amid the comings and goings of Joy, Clancy, their boyfriends, ex-husbands, and Joy's sulky teenage daughter, Heather. To add to the confusion, there is also a cat, a pet bird, and frequent visits from Russell's own problematic children, as well as his mother, Imogene. Scofield handles this assortment of characters deftly, playing out their various crises with a lighter touch than she has shown in the past. The result is that Opal and her crew seem a vanguard example of whatever ``family'' might mean in the nineties: a tangle of ex-wives, stepmothers, in-laws, et al. kept together by a feisty protagonist possessed of determination and enough love to fill any heart. A memorable family ballad, in tune with the times. (Author tour)

Pub Date: June 1, 1994

ISBN: 0-679-42397-4

Page Count: 290

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1994

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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