A bleak, affecting portrait that points to immeasurable collateral damage.
A Jewish man in 1940 Argentina confronts his mother’s fate when she’s confined in the Warsaw ghetto.
Born in Argentina, Amigorena grew up in France, whose language he writes in and where this novel has been nominated for several prizes, including the Prix Goncourt. It is part of a series of autobiographical novels the author, also a prolific screenwriter, has been writing since the 1990s, and in a preface, he calls the present novel “the source” of the project. The last chapter clarifies the connection. The narrative follows a few years in the life of Vicente Rosenberg, who moved to Argentina from Poland in 1928, leaving behind his mother. Despite her many letters pleading for a response, he does not write to her for years, even as antisemitism rises in Europe. Then German troops invade Poland and the Nazis create the Warsaw ghetto. Shortly after the novel opens in late 1940, Vicente gets a letter in which his mother describes hardships in the ghetto and asks him to send money. He thinks of all the chances he had to get her out of Warsaw. He feels the onset of a “sense of the guilt that he would never truly erase from his heart.” The novel tracks the deepening of this guilt and its effect on Vicente and his wife and three children. In the next few years, the letters stop and news of the death camps starts to reach Vicente. His life becomes a “desolate void” in which “his wife and children scarcely existed.” He stops speaking and gambles compulsively. Amigorena charts the man’s guilt-driven psychological deterioration in careful detail, from small matters (“What difference would it make whether or not he ate more gnocchi?”) to abject misery. Even in extremes of emotion, the translation offers controlled, lucid prose.
A bleak, affecting portrait that points to immeasurable collateral damage.Pub Date: Aug. 23, 2022
ISBN: 978-0-06-301833-4
Page Count: 176
Publisher: HarperVia
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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