A book that’s far more interesting for its insights into Roman history than for its style or storytelling.
Young lawyer Julius Caesar takes on an impossible case that threatens to end his career and his life.
“They chose you because you are, by far, the lesser man, the lesser orator. Because you don’t know what to say or when to say it.” Thus says the great Roman orator Cicero to 23-year-old Julius Caesar, who’s competing against him to be selected to prosecute a case. Thanks to hindsight, we know Cicero’s assessment couldn’t be more wrong, but Posteguillo takes us back to a moment long before Caesar was undisputed master of the world. Though it’s easy now to say Caesar was destined for greatness, Posteguillo shows his fate was far from certain. Caesar is chosen over Cicero to prosecute the corrupt former Macedonian governor Gnaeus Cornelius Dolabella, and it’s an impossible situation. Though clearly guilty of plunder and rape, Dolabella is a favorite of Roman dictator Sulla and a member of the optimates, an exclusive group in the Roman Senate unwilling to concede power to anyone, especially a young upstart from a lower-level patrician family. The novel traces the history leading up to Dolabella’s trial in 77 B.C.E. and depicts the hidden grudges and motives behind the efforts to ensure Caesar’s defeat. The author describes invading barbarian armies in Gaul, rebellions in Greece, and the brutal silencing of anyone brave enough to speak the truth. He also shows us the hypocrisy of a society that embraced high ideals but accepted violence as part of the political process. What hampers the story is a plodding narrative style and the author’s penchant for cliffhangers that seem better suited for TV. He puts too much potted history in his characters’ mouths, too much language that seems unrealistic or verging on the soap operatic. And yet, at other times, his writing has a strikingly contemporary sound, especially when Caesar makes his closing argument in the trial: “We may call our form of government a ‘democracy,’ but to truly be democratic, our laws, as Pericles points out, must defend the interests not of the very few, but of the majority.” Posteguillo’s story is a reminder that, though more than 2,000 years separate us from ancient Rome, some conflicts haven’t changed.
A book that’s far more interesting for its insights into Roman history than for its style or storytelling.Pub Date: March 5, 2024
ISBN: 9780593598047
Page Count: 624
Publisher: Ballantine
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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