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BACKLASH

More conceptual than distinct, but accessible and potentially useful.

Cyberbullying and a suicide attempt, told from four first-person perspectives.

The dramatic opening finds 15-year-old Lara, “numb with hurt and panic,” talking online with a boy named Christian, her first romance, though she knows him only online. He’s calling her awful, terrible, a loser he’d never take to a dance. “The world would be a better place without you in it,” he types and promptly blocks her. Next, Lara’s sister, Sydney, an eighth-grader, pounds on a locked door behind which Lara has overdosed. As emergency workers carry Lara out on a stretcher, next-door neighbor Bree (also 15) snaps a pic and posts it to Facebook, reveling in the many “likes” it draws. The timeline rewinds two months; Lara, Syd, Bree and Bree’s eighth-grade brother, Liam, alternate narrating. The two families used to be close, and Bree and Lara even used to be good friends. The prose is smooth, though the piece overall is more about ideas—cyberbullying and suicide—than any unique characterization of these white, suburban teens. The parents range from self-centered to actively cruel—Bree’s mother helps Bree fool and taunt Lara—and even Syd repeatedly considers her sister’s pain to be “drama.” The four-narrator structure isn’t entirely emotionally illuminating: Bree never quite makes sense as a character even in her own chapters.

More conceptual than distinct, but accessible and potentially useful. (author’s note) (Fiction. 12-16)

Pub Date: March 31, 2015

ISBN: 978-0-545-65126-4

Page Count: 336

Publisher: Scholastic

Review Posted Online: Dec. 5, 2014

Kirkus Reviews Issue: Dec. 15, 2014

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THE FIELD GUIDE TO THE NORTH AMERICAN TEENAGER

Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.

A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.

Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.

Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)

Pub Date: Jan. 8, 2019

ISBN: 978-0-06-282411-0

Page Count: 384

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Oct. 14, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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RADIO SILENCE

A smart, timely outing.

Two teens connect through a mysterious podcast in this sophomore effort by British author Oseman (Solitaire, 2015).

Frances Janvier is a 17-year-old British-Ethiopian head girl who is so driven to get into Cambridge that she mostly forgoes friendships for schoolwork. Her only self-indulgence is listening to and creating fan art for the podcast Universe City, “a…show about a suit-wearing student detective looking for a way to escape a sci-fi, monster-infested university.” Aled Last is a quiet white boy who identifies as “partly asexual.” When Frances discovers that Aled is the secret creator of Universe City, the two embark on a passionate, platonic relationship based on their joint love of pop culture. Their bond is complicated by Aled’s controlling mother and by Frances’ previous crush on Aled’s twin sister, Carys, who ran away last year and disappeared. When Aled’s identity is accidently leaked to the Universe City fandom, he severs his relationship with Frances, leaving her questioning her Cambridge goals and determined to win back his affection, no matter what the cost. Frances’ narration is keenly intelligent; she takes mordant pleasure in using an Indian friend’s ID to get into a club despite the fact they look nothing alike: “Gotta love white people.” Though the social-media–suffused plot occasionally lags, the main characters’ realistic relationship accurately depicts current issues of gender, race, and class.

A smart, timely outing. (Fiction. 12-16)

Pub Date: March 28, 2017

ISBN: 978-0-06-233571-5

Page Count: 496

Publisher: HarperTeen

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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