by Sarah Glenn Marsh ; illustrated by Filippo Vanzo ‧ RELEASE DATE: Feb. 1, 2019
Let this one fly away.
Young Maria Merian had a passion for butterflies and moths that led to a lifelong, convention-defining career of natural-history illustration.
When the young artist was growing up in 17th-century Germany, butterflies and moths were thought to arise through spontaneous generation and women interested in insects might be seen as witches. Still, Maria not only painted the insects she saw around her, she brought home silkworms and studied them, watching their metamorphosis and painting what she saw, including their favorite plants and flowers. Continuing to observe and paint from nature in her adult life, she also taught and published books of her illustrations, raised a family, and traveled as far as Suriname to explore the natural world. In contrast to Margarita Engle and Julie Paschkis’ Summer Birds (2010), in which a first-person narrative captures Maria’s childhood voice and joy in the natural world and the illustrations demonstrate the culture’s changing approach to nature, Marsh and Vanzo present a more distant, staid story for young readers. Vanzo’s illustrations, drawn with pencil and digitally colored, are modestly realistic, more so for the insects than humans (all white, including in Suriname). Sadly, the monarch butterflies that intrigue freckle-faced Maria in these images don’t exist in Germany. Even the title is unfortunate: Butterflies and moths are not bugs. An author’s note provides further information about this early naturalist. A few of the artist’s original illustrations are included and sourced, but no sources are given for other information.
Let this one fly away. (Picture book/biography. 4-7)Pub Date: Feb. 1, 2019
ISBN: 978-0-8075-9257-1
Page Count: 32
Publisher: Whitman
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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by Susannah Buhrman-Deever ; illustrated by Matthew Trueman ‧ RELEASE DATE: May 26, 2020
A simple but effective look at a keystone species.
Sea otters are the key to healthy kelp forests on the Pacific coast of North America.
There have been several recent titles for older readers about the critical role sea otters play in the coastal Pacific ecosystem. This grand, green version presents it to even younger readers and listeners, using a two-level text and vivid illustrations. Biologist Buhrman-Deever opens as if she were telling a fairy tale: “On the Pacific coast of North America, where the ocean meets the shore, there are forests that have no trees.” The treelike forms are kelp, home to numerous creatures. Two spreads show this lush underwater jungle before its king, the sea otter, is introduced. A delicate balance allows this system to flourish, but there was a time that hunting upset this balance. The writer is careful to blame not the Indigenous peoples who had always hunted the area, but “new people.” In smaller print she explains that Russian explorations spurred the development of an international fur trade. Trueman paints the scene, concentrating on an otter family threatened by formidable harpoons from an abstractly rendered person in a small boat, with a sailing ship in the distance. “People do not always understand at first the changes they cause when they take too much.” Sea urchins take over; a page turn reveals a barren landscape. Happily, the story ends well when hunting stops and the otters return…and with them, the kelp forests.
A simple but effective look at a keystone species. (further information, select bibliography, additional resources) (Informational picture book. 4-7)Pub Date: May 26, 2020
ISBN: 978-0-7636-8934-6
Page Count: 32
Publisher: Candlewick
Review Posted Online: Jan. 27, 2020
Kirkus Reviews Issue: March 1, 2020
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by Susannah Buhrman-Deever ; illustrated by Bert Kitchen
by Sue Fliess ; illustrated by Mia Powell ‧ RELEASE DATE: April 1, 2022
A highly simplified but inviting overview of marine biology.
What do marine biologists do?
To answer that question, Fliess focuses on fieldwork, certainly the most glamorous part of the job. After months of research, Maggie, a Black marine biologist, and her racially diverse team dive into the ocean to swim with humpback whales. They each have a different task, related to their personal research questions, and they’ve each brought different tools. The straightforward text offers general information about humpback whales, including migration, whale song, the use of fluke-slapping as an alarm signal, and diet (krill), as well as the importance of a hypothesis, part of the scientific method. At the conclusion of their research, the team members free a young whale calf trapped in a fishing net—an episode likely to appeal to young readers and listeners as well as a subtle reminder of the problem of trash in our waters. Depicting characters with round, oversize heads, Powell’s illustrations make the dive look both easy and fun, with scenes underwater and in the lab. One final spread includes relevant labels on images (flukes, dorsal ridge, plankton). Backmatter provides general information on marine biologists, what they do, and how to train to be one. There’s also a quick review of how Maggie and her group’s actions correspond to the scientific method. (This book was reviewed digitally.)
A highly simplified but inviting overview of marine biology. (suggested reading) (Informational picture book. 4-7)Pub Date: April 1, 2022
ISBN: 978-0-8075-4158-6
Page Count: 32
Publisher: Whitman
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
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