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BLACKOUT

REMEMBERING THE THINGS I DRANK TO FORGET

A treasure trove of hard truths mined from a life soaked in booze.

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A razor-sharp memoir that reveals the woman behind the wine glass.

Addiction’s death grip and the addict’s struggle to escape it is an old story, but in Salon personal essays editor Hepola’s hands, it’s modern, raw, and painfully real—and even hilarious. As much as readers will cry over the author’s boozy misadventures—bruising falls down marble staircases, grim encounters with strangers in hotel rooms, entire evenings’ escapades missing from memory—they will laugh as Hepola laughs at herself, at the wrongheaded logic of the active alcoholic who rationalizes it all as an excuse for one more drink. This is a drinking memoir, yes, and fans of Caroline Knapp’s Drinking: A Love Story (1996) will recognize similar themes, but Hepola moves beyond the analysis of her addiction, making this the story of every woman’s fight to be seen for who she really is. Generation X women, in particular, will recognize an adolescence spent puzzling over the rash of parental divorces and counting calories as a way to stay in control of a changing world. Hepola strews pop-culture guideposts throughout, so any woman who remembers both Tiger Beat magazine and the beginning of the war on drugs will find herself right at home. It was an age when girls understood that they weren’t destined to be housewives but were not so clear on the alternatives, and it’s no wonder the pressure led many to seek the distance that drinking promised. Promises, of course, can lead to all sorts of trouble, and Hepola tells the naked truth of just how much trouble she got into and how difficult it was to pull herself out. Her honesty, and her ultimate success, will inspire anyone who knows a change is needed but thinks it may be impossible.

A treasure trove of hard truths mined from a life soaked in booze.

Pub Date: June 23, 2015

ISBN: 978-1-4555-5459-1

Page Count: 240

Publisher: Grand Central Publishing

Review Posted Online: March 10, 2015

Kirkus Reviews Issue: April 1, 2015

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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