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MAPLETON MURDERS

A clean, readable Christian mystery with an unsurprising outcome.

Stewart’s novel is a classic murder mystery with a Christian bent set in an upstate New York town that is no stranger to corruption.

Heroine Kate Feeney finds herself at the center of that corruption when she stands up to the school board to protest a proposed sex education program and gets thrown in jail. It’s only the beginning of Kate’s adventures. After the president of the school board is murdered, Kate begins working with police Detective Mike Roberts, formerly of the NYPD, to track down the killer. Suspects include a wealthy sheik from the fictional country of South Arabyia, police officers who have a blackmailing operation and a local family of moonshiners. Before she can do much, though, Kate is unfairly arrested again, this time after an altercation at an abortion clinic protest. While being transported in the back of a police cruiser after her arraignment, Kate manages to avoid being raped by a corrupt cop. She flees to the woods when she hears shots fired, only to come out and find the cop dead. Although she saw nothing, she heard the killer’s voice, and this makes her a target for the unknown murderer who tries more than once to bring down the gutsy woman. A number of twists and turns produce an action-packed story, and thanks to the relationship between Kate and Mike, there’s a hint of romance. Though Kate and Mike are baffled, regular mystery readers will likely deduce the killer’s ID thanks to a few subtle hints. The story is marred by clunky dialogue that is asked to carry too much of the back story, such as this comment made by Mike: “Because my mother’s suicide was caused by mental instability, your childhood abuse makes me afraid you might become mentally unstable. I’m worried that your risk-taking is a suicidal impulse.” Nonbelievers may wonder if Kate’s prayers are falling on deaf ears when they see she must fight off a rapist, gets kidnapped by a sheik and both her aunt and her dog get shot, but Christians will likely admire her steadfast faith.

A clean, readable Christian mystery with an unsurprising outcome.

Pub Date: June 18, 2012

ISBN: 978-1477429365

Page Count: 328

Publisher: CreateSpace

Review Posted Online: Aug. 20, 2012

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WE WERE THE LUCKY ONES

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Hunter’s debut novel tracks the experiences of her family members during the Holocaust.

Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Pub Date: Feb. 14, 2017

ISBN: 978-0-399-56308-9

Page Count: 416

Publisher: Viking

Review Posted Online: Nov. 21, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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THE TATTOOIST OF AUSCHWITZ

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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