by Sarah L. Thomson & illustrated by Michael Hague ‧ RELEASE DATE: Oct. 1, 2003
A jolly nutcracker with his mouth wide open waves his sword and flag and seems ready to ride right off the cover in Hague’s version of this Christmas classic. This retelling uses the structure of the original story by Hoffman, retaining the name of Marie for the little girl, and adds some of the familiar elements from the ballet version of the story. Hague’s illustrations in pen and ink, watercolor, and colored pencil set a dark and theatrical mood with deep jewel tones and rich velvet draperies framing several spreads. His Rat King is a fearsome fellow with seven heads and 14 glowing red eyes, but his sweet Sugar Plum Fairy dances with butterfly wings ornamenting her flower-petal costume. This retelling is too long for most preschoolers, but will serve as an introduction to the story or preparation before a performance for school-age children. An author’s note includes the history of the story and how it came to be a ballet. (Picture book. 5-8)
Pub Date: Oct. 1, 2003
ISBN: 1-58717-254-2
Page Count: 48
Publisher: SeaStar/Chronicle
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 1, 2003
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by Carolyn B. Otto ‧ RELEASE DATE: Sept. 5, 2017
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.
An overview of the modern African-American holiday.
This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-4263-2849-7
Page Count: 40
Publisher: National Geographic Kids
Review Posted Online: Oct. 27, 2017
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by Teresa Bateman & illustrated by Jeff Shelly ‧ RELEASE DATE: Sept. 1, 2001
The leaves have changed, Thanksgiving nears—and the canny turkeys of Squawk Valley have decamped, leaving local residents to face the prospect of a birdless holiday. What to do? They decide to lure a bird back by appealing to its vanity, placing a want ad for a model to help sculptors creating turkey art, then “inviting” the bird to dinner. The ploy works, too, for out of the woods struts plump and perky Pete to take on the job. Shelly debuts with brightly hued cartoon scenes featuring pop-eyed country folk and deceptively silly-looking gobblers. Pete may be vain, but he hasn’t lost the wiliness of his wild ancestors; when the townsfolk come for him, he hides amidst a flock of sculpted gobblers—“There were turkeys made of spuds, / there were turkeys made of rope. / There were turkeys made of paper, / there were turkeys made of soap. / The room was full of turkeys / in a wall to wall collage. / For a clever bird like Pete / it was perfect camouflage.” He makes his escape, and is last seen lounging on a turkey-filled tropical beach as the disappointed Squawk Valleyites gather round the table for a main course of . . . shredded wheat. Good for a few giggles. (Picture book. 6-8)
Pub Date: Sept. 1, 2001
ISBN: 1-890817-91-0
Page Count: 40
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2001
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