by Sarah Maizes ; illustrated by Michael Paraskevas ‧ RELEASE DATE: Sept. 17, 2013
Bed-based procrastination is nothing new, but Livi’s imaginative play takes the experience to an entirely superior level.
The exuberant heroine of On My Way to the Bath (2012) returns to tackle that most perilous of childhood rituals: bedtime.
Making bedtime avoidance and delay into a high art, Livi calls upon a number of strategies when her mother informs her that it is time for bed. Assuring readers that she isn’t even remotely sleepy (“Bed is for tired people,” she is quick to point out), she finds creative ways to slow the bedtime process down to a crawl. Suddenly, she’s a tightrope walker, a rocket scientist or even an octopus as the situation demands. When, at long last, an understandably frazzled mom gets her offspring under the sheets, Livi sleeps like an angel. So well, in fact, that her response to her mother’s gentle wake-up call the next morning is to become a hibernating bear. Honestly funny from start to finish, the madcap digital art isn’t afraid to, at times, relinquish the goofy for a truly lovely spread, as with the opening and closing endpapers. Livi achieves precocity without even a hint of saccharine. It’s hard to resist her final wail—“I don’t want to miss anything!”—which reveals what’s really been going on here.
Bed-based procrastination is nothing new, but Livi’s imaginative play takes the experience to an entirely superior level. (Picture book. 3-7)Pub Date: Sept. 17, 2013
ISBN: 978-0-80272-366-6
Page Count: 40
Publisher: Walker
Review Posted Online: June 11, 2013
Kirkus Reviews Issue: July 1, 2013
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by Sarah Maizes ; illustrated by Kara Kramer
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by Kobi Yamada ; illustrated by Natalie Russell ‧ RELEASE DATE: March 1, 2017
A sweet, soft conversation starter and a charming gift.
Awards & Accolades
Our Verdict
GET IT
Google Rating
New York Times Bestseller
A paean to teachers and their surrogates everywhere.
This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.
A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)Pub Date: March 1, 2017
ISBN: 978-1-943200-08-5
Page Count: 32
Publisher: Compendium
Review Posted Online: Dec. 13, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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