Affectionately drawn characters lift a morose topic into a companionable light.
The lives of three women are altered when a man dies on a commuter train.
Lou is paying little attention to the people around her; after all, she makes the trip from Brighton to London every morning. But then suddenly the man across from her is having a heart attack. His wife Karen is begging for help, but it’s too late. Everyone is asked to exit the train, and Lou shares a cab the rest of the way to London with fellow traveler Anna. The two strangers commiserate over the tragic event when Anna’s cell rings—it’s her best friend Karen, in shock at the sudden death of her husband Simon on that very same train. Anna returns to Brighton to comfort Karen as Lou goes to work as a youth counselor. The novel spans the ensuing week, as Karen prepares for Simon’s funeral and Anna and Lou, in their own ways, reevaluate their lives with this ever-so-sharp reminder of their mortality. Anna is a successful copywriter, but her home life is a mess—boyfriend Steve is a mean drunk, but she can’t imagine life without him. Lou lives a happy lesbian life in gay-friendly Brighton, but she hasn’t come out to her overbearing mum, and the secret is killing her. Meanwhile, Karen and her two young children are barely coping now that their family is broken. Anna supports Karen, and Lou with her counseling experience is there for them both. The novel’s strength—facing head-on the minutia of coping with a death—is also one of its failings when it occasionally reads like a self-help book. Sitting with the body in hospital, explaining to children about saying goodbye, how to reach out to friends and banish guilt—a week’s worth of it gets a bit too much. Nevertheless, Rayner never shies away from her character’s misery and ineptitude in dealing with the worst, offering a welcome dose of reality in the literature of female bonding.
Affectionately drawn characters lift a morose topic into a companionable light.Pub Date: Jan. 1, 2012
ISBN: 978-1-250-00019-4
Page Count: 416
Publisher: St. Martin's Griffin
Review Posted Online: Dec. 3, 2011
Kirkus Reviews Issue: Dec. 15, 2011
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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