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THE PENNY PINCHERS CLUB

Thanks to Strohmeyer’s penchant for humor, Kat’s adventures entertain despite the transparently contrived plot.

A spendthrift interior designer, fearing that her economist husband plans to divorce and impoverish her, joins a support group of eccentric skinflints, in the latest from Strohmeyer (Sweet Love, 2008, etc.).

Without regrets, Kat jilted fiancé Liam, now a billionaire big-pharma exec, for her soul mate, Griff, a charismatic economics professor at a small New Jersey college. Twenty years later, daughter Laura is finishing high school, and Griff and Kat, always strapped for cash, are worrying about how to put her through NYU. A long-term factotum for Chloe, a social-climbing designer, Kat yearns to go independent, if only her paycheck weren’t already dedicated to paying off her ever-ballooning credit-card debt. She rationalizes her mall habit, Lexus SUV and daily venti lattes by arguing that interior designers have to ape their wealthy clients. When she discovers condom wrappers while laundering Griff’s pants, her busybody sister Viv goads her to investigate further. There’s a fancy restaurant bill, unusual for famously frugal Griff. Is he wining and dining his young, sexy assistant Bree? Griff has a secret MasterCard, and he has somehow diverted $10,000 to a separate bank account. Kat’s denial evaporates when she finds e-mail exchanges between Bree and Griff indicating that he is going to “break it to” Kat when Laura graduates high school. Kat has about seven months to amass a divorce contingency fund of $15,000. Enter the Penny Pinchers Club, endearingly fanatical misfits who introduce Kat to the secrets of samurai saving, e.g. swarm en masse in search of discounts and rebates, buy in bulk and freeze, etc. Kat is arrested while dumpster-diving with “freegan” former investment banker Wade. Griff and Bree are increasingly closeted, allegedly researching his book about a reclusive ex-Fed chairman. Liam resurfaces, seeking a designer to refurbish his new mansion. As Liam, still smitten, offers her a safe harbor, Kat is increasingly tempted to question the choice she made years before between financial security and the love of her life.

Thanks to Strohmeyer’s penchant for humor, Kat’s adventures entertain despite the transparently contrived plot.

Pub Date: July 2, 2009

ISBN: 978-0-525-95117-9

Page Count: 288

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2009

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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