A fresh contribution to Black history, rooted in the author’s past.
Honoring Black matriarchs.
Cultural critic Bonét makes her book debut with a fervent homage to Black women—grandmothers, mothers, sisters, and cousins—who have instilled an indelible life force in their families. “I was surrounded by reliable women,” Bonét writes. “The men were peripheral—inefficient and fickle.” Central to her history is her grandmother Betty Jean (b. 1933), the great-granddaughter of enslaved people, who migrated to Houston from Louisiana in 1955 and eventually had 11 children with nine different men. One of those children was Bonét’s mother, Connie (b. 1956), who grew up poor and angry, resenting each new baby who arrived to deplete what little the family had. She fled Houston as soon as she could, landing in Manhattan, where she was a stern, uncompromising mother to her own children. Besides recounting the lives of the women in her family, Bonét looks at other Black women: Betty Davis, enslaved seamstress of George and Martha Washington, whose daughter, Ona Judge, escaped and lived in the north as a fugitive; Marian Robinson, Michelle Obama’s mother, who moved into the White House to care for her granddaughters; and activist Recy Taylor: Raped by white men in 1944, she contributed—along with Rosa Parks and other women—to forming the Committee for Equal Justice, an inspiration for the Civil Rights Movement. There’s Iberia Hampton, who feared for her outspoken son, Fred; he became a Black Panther and was assassinated. There’s artist Camille Billops, who rejected motherhood in favor of pursuing her art. “Each of us are the sum of our grandmother’s prayers,” Bonét writes, “the sum of many moments, of all the care and cruelty we have absorbed.” At times tender, furious, selfish, and sacrificial, these were “complicated women,” whom Bonét portrays with compassion.
A fresh contribution to Black history, rooted in the author’s past.Pub Date: Sept. 16, 2025
ISBN: 9780593536087
Page Count: 320
Publisher: Knopf
Review Posted Online: June 13, 2025
Kirkus Reviews Issue: July 15, 2025
The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.
The former iCarly star reflects on her difficult childhood.
In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.
The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.Pub Date: Aug. 9, 2022
ISBN: 978-1-982185-82-4
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: May 30, 2022
Kirkus Reviews Issue: July 1, 2022
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
An intriguing but uneven family memoir and travelogue.
An author’s trip to Venice takes a distinctly Borgesian turn.
In November 2020, soccer club Venizia F.C. offered Nigerian American author Madu a writing residency as part of its plan “to turn the team into a global entity of fashion, culture, and sports.” Flying to Venice for the fellowship, he felt guilty about leaving his immigrant parents, who were shocked to learn upon moving to the U.S. years earlier that their Nigerian teaching certifications were invalid, forcing his father to work as a stocking clerk at Rite Aid to support the family. Madu’s experiences in Venice are incidental to what is primarily a story about his family, especially his strained relationship with his father, who was disappointed with many of his son’s choices. Unfortunately, the author’s seeming disinterest in Venice renders much of the narrative colorless. He says the trip across the Ponte della Libertà bridge was “magical,” but nothing he describes—the “endless water on both sides,” the nearby seagulls—is particularly remarkable. Little in the text conveys a sense of place or the unique character of his surroundings. Madu is at his best when he focuses on family dynamics and his observations that, in the largely deserted city, “I was one of the few Black people around.” He cites Borges, giving special note to the author’s “The House of Asterion,” in which the minotaur “explains his situation as a creature and as a creature within the labyrinth” of multiple mirrors. This notion leads to the Borgesian turn in the book’s second half, when, in an extended sequence, Madu imagines himself transformed into a minotaur, with “the head of a bull” and his body “larger, thicker, powerful but also cumbersome.” It’s an engaging passage, although stylistically out of keeping with much of what has come before.
An intriguing but uneven family memoir and travelogue.Pub Date: April 2, 2024
ISBN: 9781953368669
Page Count: 144
Publisher: Belt Publishing
Review Posted Online: Nov. 17, 2023
Kirkus Reviews Issue: Dec. 15, 2023
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