A scintillating collection, full of imaginative stories and strong, vivid writing.
Violent dads, a lovelorn hedgehog, and a teenage grim reaper are among the engrossing figures showcased in this anthology of fiction, poetry, and essays.
Editors Landfield and Ellerhoff have gathered contributions from 27 authors, many of them current or former clerks at Tsunami Books in Eugene, Oregon. Their works often feature intense regional flavor—Eugene’s blend of college-town hippie and rural orneriness—along with muscular language, fantasy, and genre forms with offbeat twists. Among the many standout pieces, Meli Hull’s essay “Non-Words” takes a delightful romp through her baby’s language acquisition. (“Additions to our lexicon include…asking her if she wants to ‘fly high in the sky’ and then doing a cheerleading count-off of ‘one-two, down-UP!’ as I lift her into the air. She squeals and giggles and opens her round mouth in a big grin.”) Matthew Dickman’s story “Leveling Up” imagines Death as a 15-year-old punk playing Ms. Pacman at a video arcade in prose that mixes cosmic grandiosity with adolescent pique. (“I was in Pompeii, fucking Pompeii, and I can’t get this stupid asshole on the screen to move fast enough not to get eaten by fucking ghosts.”) And Ellerhoff’s adult fable “The Fox and the Hedgehog” has the former consoling the latter when he’s dumped by the Solar Witch in favor of an old flame in a gush of bawdy Irish wisdom. (“That witch already had the big story’f her life goin on before ya showed up….Chapter Fifty-Nine: The Hedgehog Arrives. Chapter Sixty: Feckface Returns ’n’ Gives It to Her in the Arse Again.”) The series opener’s excellent poetry includes Erik Muller’s cycle “A Boy’s Eyes,” a plangent exploration of a father’s brutality told in grim language (“It is not clear why he / strikes our mother. Something snarls, / something drives the Old Man. / Later she bows her head / over a bucket so she doesn’t / bleed onto what she has to clean”). And Jenny Root’s “That Which Lies Beside the Slough” is a searing evocation of a homeless camp. (“The blankets that lay heaped beneath the bridge covered them / head to toe. / The blankets, which once lay folded upon a quiet shelf, trembled in / the scolding wind.”) The result is an enthralling read with literary flair and lots of heart.
A scintillating collection, full of imaginative stories and strong, vivid writing.Pub Date: Nov. 14, 2023
ISBN: 9798988151203
Page Count: 248
Publisher: Tsunami Press
Review Posted Online: May 16, 2024
Kirkus Reviews Issue: July 1, 2024
Review Program: Kirkus Indie
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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