A good bridge to take children from comic tropes to fine art.
Using his love of art to honor his grandmother, a boy fumbles with his first plan but succeeds with his second.
Weekly art class at a museum (clearly the Metropolitan Museum of Art) is exciting. The teacher’s assertion that “anything can be in an art exhibition”—toys, hair clips, water bottles—is followed by a brainstorming session among the kids of art’s traits. Is it beautiful, funny or unique? Does it come from afar or make people “feel good”? This inspires an unusual idea. The protagonist’s grandmother possesses all those traits, so “I should give Grandma to the museum!” This odd inspiration doesn’t quite make sense: The boy’s too fond of his grandma to want her gone and too old to genuinely think humans are donate-able, but it doesn’t read like a joke. Luckily, the museum nixes it, and the boy moves on. He creates an entire mixed-media art exhibit under his own steam, each piece a portrayal of Grandma in a different artistic style. Bliss uses pen, ink and watercolor to mix affectionate figure drawings and re-creations of famous artwork with speech bubbles and faces straight from the comics (including some eyebrows that don’t quite fit). Though lacking the visceral joie de vivre of Angela Johnson and E.B. Lewis’ Lily Brown’s Paintings (2007), this helps fill a critical need for art-loving black child characters.
A good bridge to take children from comic tropes to fine art. (Picture book. 4-8)Pub Date: April 14, 2015
ISBN: 978-1-4197-1484-9
Page Count: 32
Publisher: Abrams
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Brotherly love and Black joy abound in this brilliantly told tribute to the ties that bind.
When Mom and Dad bring baby Rasheed home for the first time, it’s love at first sight for big brother Anthony.
As the boys grow, Anthony teaches his little sibling how to build a tower with blocks (and how to knock it down with a loud “WHOP!!!”), how to ride a bike, and even how to fly (through a well-timed leap from the swings). When thunder and lightning wake them both one night, Anthony assuages Rasheed’s fears with the book’s titular refrain: “I got you.” But one day Anthony goes for a bike ride with his friends, leaving Rasheed alone and hurt. That night, Anthony explains that while he may spend time with his peers, his bond with Rasheed is unbreakable. And as the book comes to a close, with Mom and Dad introducing the boys to their new little sibling, Anthony leaves Rasheed with perhaps the greatest lesson of all: how to be a supportive big brother himself. Narrated by Rasheed, Barnes’ text is elegant in its simplicity, loving yet never saccharine, and always emotionally honest. Using varied perspectives, Knight-Justice’s richly hued, collagelike digital illustrations combine a patchwork of textures and patterns, immersing readers in this affectionate Black family’s world. Greens and blues dominate the pages, bringing to life an idyllic suburban setting.
Brotherly love and Black joy abound in this brilliantly told tribute to the ties that bind. (Picture book. 4-8)Pub Date: July 15, 2025
ISBN: 9780593111451
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: May 3, 2025
Kirkus Reviews Issue: June 1, 2025
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