Gory horror that thinks nihilist incoherence is the same thing as edgy. It's wrong
A court-mandated hike becomes zombie flick, laden with 1980s pop-culture references.
Seventeen-year-old Nick's life could be better. Since his worthless father, the Dude, "Has Other Concerns" than buying groceries, Nick works at the chicken factory to earn food and medicine for his oddball baby sister. An accident at the factory leaves Nick jailed for...well, it's not clear what he's jailed for. Living in an unjust world, perhaps? Nick’s troupe of realistically foulmouthed delinquents are soon fighting off chicken-gnawing, entrails-chomping zombies at the top of a mountain, calling one another “fag” every step of the way. In prose that consists of far too many one-sentence and even one-word paragraphs ("Had to see. / If it was. / Skoal. / Another step"), Nick has masturbatory fantasies about the hottest girl zombie, even while mooning over the object of his affections, Petal Gazes, a manic pixie punk-rock girl with anime eyes and a "Bauhaus" hoodie. Like Pete Hautman’s Rash (2006), this over-the-top boys'-prison-camp adventure resembles a grown-up Holes (1998), but lacks the heart and ultimate optimism of either. The sexed-up face-eating may please dedicated fans of the shambling undead, despite self-aware sarcasm that explicitly mocks the commercialism of current zombie fandom.
Gory horror that thinks nihilist incoherence is the same thing as edgy. It's wrong . (Horror. 15-17)Pub Date: Sept. 25, 2012
ISBN: 978-0-7636-5947-9
Page Count: 384
Publisher: Candlewick
Review Posted Online: July 17, 2012
Kirkus Reviews Issue: Aug. 1, 2012
Best leave it at maybe so.
Two 17-year-olds from the northern suburbs of Atlanta, Georgia, work together on a campaign for a progressive state senate candidate in an unlikely love story.
Co-authors Albertalli (Leah on the Offbeat, 2018, etc.) and Saeed (Bilal Cooks Daal, 2019, etc.) present Jamie Goldberg, a white Ashkenazi Jewish boy who suffers from being “painfully bad at anything girl-related,” and Maya Rehman, a Pakistani American Muslim girl struggling with her parents’ sudden separation. Former childhood best friends, they find themselves volunteered as a team by their mothers during a Ramadan “campaign iftar.” One canvassing adventure at a time, they grow closer despite Maya’s no-dating policy. Chapters alternate between Maya’s and Jamie’s first-person voices. The endearing, if somewhat clichéd, teens sweetly connect over similarities like divorced parents, and their activism will resonate with many. Jamie is sensitive, clumsy, and insecure; Maya is determined, sassy, a dash spoiled, and she swears freely. The novel covers timeless themes of teen activism and love-conquers-all along with election highs and lows, messy divorces, teen angst, bat mitzvah stress, social media gaffes, right-wing haters, friendship drama, and cultural misunderstandings, but the explicit advocacy at times interferes with an immersive reading experience and the text often feels repetitious. Maya’s mother is hijabi, and while Maya advocates against a hijab ban, she chooses not to wear hijab and actively wrestles with what it means to be an observant Muslim.
Best leave it at maybe so. (Romance. 14-18)Pub Date: Feb. 4, 2020
ISBN: 978-0-06-293704-9
Page Count: 448
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Nov. 16, 2019
Kirkus Reviews Issue: Dec. 15, 2019
Faults aside, this supernatural mystery will appeal to fans of the genre, and the story’s conclusion leaves wide the door...
If you knew something bad was going to happen, would you try to change the future?
Charlotte Westing is an Oracle, and as such, she must follow three rules: never to reveal herself as an Oracle to non-Oracles; never to give in to the visions; and if a vision gets through, never to try to change the future. At age 6, Charlotte broke the third rule, costing her father his life. Ten years later, a stronger-than-normal vision breaks through 16-year-old Charlotte’s carefully constructed psychic defenses, foretelling the murder of a classmate. Charlotte wants to act, but she is too late. After a second ominous vision, she warns the potential victim, but it’s no help. As visions of the dead increase, and the bodies start piling up, Charlotte must decide whether to break all the rules in order to stop a serial killer and save lives. Oddly, the Sisters of Delphi seem disinclined to intervene in Charlotte’s rule breaking, but perhaps official consequence is being saved for sequels. The story is sometimes predictable and goes a bit too fast in places—readers will quickly lose track of visions and victims—but it’s full of gripping tension, and Charlotte is a self-aware and likable narrator, determined to use her powers for good.
Faults aside, this supernatural mystery will appeal to fans of the genre, and the story’s conclusion leaves wide the door for possible future installments. (Supernatural thriller. 15-17)Pub Date: April 29, 2014
ISBN: 978-0-06-199903-1
Page Count: 352
Publisher: HarperTeen
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
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