An eloquent, affecting take on pedophilia.
This complex quasi-mystery centers on a former cop’s reckoning with the damage caused by sexually abusive priests.
The narrator is Tom Kettle, a 66-year-old widower living in Dalkey, Ireland. He’s nine months into retirement from a decorated career with the Dublin police when two Garda officers ask him to look at reports from an old unsolved murder case he worked on years earlier. A priest under investigation for pedophilia has made disturbing accusations regarding the murderer. Kettle, whose wife and two adult children suffered brutal deaths in the previous 10 years, is already coping with too many memories, unwanted and otherwise. Much of the narrative is a very accessible stream of consciousness. Even as Kettle's mind drifts, he also must deal with the hard realities that arise from police procedure, like evidence gathering, interviews at headquarters, and the suspicions of his former boss. The unsolved case crucially turns his thoughts to the first night of his honeymoon and his wife’s “sorrowful revelations” of childhood abuse: “The rapes, the bloody priests.” It’s her abuser who was murdered. The novel avoids any pat responses to questions of crime and punishment, although even the dutiful cop in Kettle leans toward rough justice where the young are involved. Barry is a resourceful Irish writer with a gift for empathy and lyrical prose. Many of his novels weave Irish immigrants into the broader tapestry of global history in the past two centuries. But Kettle’s story hinges on domestic events, on years of priests’ sexual abuse of children in Ireland. Barry’s tight focus on one retired lawman and the ghosts bedeviling him provides a compelling sense of the misery the Catholic Church knew it was causing and failed to salve.
An eloquent, affecting take on pedophilia.Pub Date: March 14, 2023
ISBN: 9780593296103
Page Count: 256
Publisher: Penguin
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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