Treasonous? Perhaps not—but Abramson’s catalog makes a strong case for Trump’s outsized, boundless corruption.
The third volume in a trilogy devoted to recording Donald Trump’s countless misdeeds, civil and criminal.
As an exercise in what Abramson calls “curatorial journalism,” the narrative is often difficult to stomach due to the author’s careful and exhaustive evidence for his contention that the Trump administration exhibits a “perniciously systemic penchant for four types of activity” that are key to the definition of corruption. Three of these are impeachable, and the fourth comprises “nonimpeachable conduct that indicates a president is unfit to serve as a matter of ethics, conformity to democratic norms, and commitment to the rule of law.” A critical question is whether Trump has been so thoroughly compromised as a result of foreign entanglements that he constitutes a security risk—that is, he “cannot be trusted to…put the safety and security of the United States ahead of personal avarice or ambition.” Abramson, of course, answers that question in the affirmative. At the center of his investigation is the multifaceted matter of Trump’s seeking the assistance of foreign governments in order to provide negative material about his political opponents: Russia, Ukraine, even China. Trump’s machinations, carried out by means of various lieutenants such as Paul Manafort and supported by legal enablers such as William Barr, make for maddening reading. So do his many missteps, including the curious choice to open negotiations with Taiwan in December 2016 for a Trump-branded airport project, the first direct negotiation with the nation on the part of an American president since 1979. Even so, Trump pressed the government of mainland China for information on Joe Biden and his son, which, as Secretary of State Mike Pompeo blithely explained, “is what we do.” That China did not jump to oblige Trump helps explain his labeling of Covid-19—his handling of which, by Abramson’s account, has been both corrupt and inept—the “China plague.”
Treasonous? Perhaps not—but Abramson’s catalog makes a strong case for Trump’s outsized, boundless corruption.Pub Date: Sept. 8, 2020
ISBN: 978-1-250-27299-7
Page Count: 576
Publisher: St. Martin's
Review Posted Online: July 21, 2020
Kirkus Reviews Issue: Aug. 15, 2020
BOOK REVIEW
BOOK REVIEW
A dauntless, moving account of a kidnapping and the horrors that followed.
Enduring the unthinkable.
This memoir—the first by an Israeli taken captive by Hamas on October 7, 2023—chronicles the 491 days the author was held in Gaza. Confined to tunnels beneath war-ravaged streets, Sharabi was beaten, humiliated, and underfed. When he was finally released in February, he learned that Hamas had murdered his wife and two daughters. In the face of scarcely imaginable loss, Sharabi has crafted a potent record of his will to survive. The author’s ordeal began when Hamas fighters dragged him from his home, in a kibbutz near Gaza. Alongside others, he was held for months at a time in filthy subterranean spaces. He catalogs sensory assaults with novelistic specificity. Iron shackles grip his ankles. Broken toilets produce an “unbearable stink,” and “tiny white worms” swarm his toothbrush. He gets one meal a day, his “belly caving inward.” Desperate for more food, he stages a fainting episode, using a shaving razor to “slice a deep gash into my eyebrow.” Captors share their sweets while celebrating an Iranian missile attack on Israel. He and other hostages sneak fleeting pleasures, finding and downing an orange soda before a guard can seize it. Several times, Sharabi—51 when he was kidnapped—gives bracing pep talks to younger compatriots. The captives learn to control what they can, trading family stories and “lift[ing] water bottles like dumbbells.” Remarkably, there’s some levity. He and fellow hostages nickname one Hamas guard “the Triangle” because he’s shaped like a SpongeBob SquarePants character. The book’s closing scenes, in which Sharabi tries to console other hostages’ families while learning the worst about his own, are heartbreaking. His captors “are still human beings,” writes Sharabi, bravely modeling the forbearance that our leaders often lack.
A dauntless, moving account of a kidnapping and the horrors that followed.Pub Date: Oct. 7, 2025
ISBN: 9780063489790
Page Count: 208
Publisher: Harper Influence/HarperCollins
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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