A tragic death and a slew of suspects ignite this incendiary tale.
In Fairhill, Vermont, a community where nothing seems to happen, a violent death exposes the cruelty hiding beneath the town’s supposedly placid surface.
Diana Brewer’s body is found in a farmer’s field, and what initially seems to be a crime novel walking a well-worn path of plot points and tropes instead travels in a new direction. Lapena rolls out a story unique and timely in its telling. No one can imagine who could have killed Diana, a high school senior, and suspicion immediately turns to her possessive boyfriend, Cameron Farrell. He might have been the last person to see her alive, but the police have additional suspects. Any of them may or may not be murderers, but when their interactions with Diana are exposed, it becomes clear none of them is innocent. The throughline in this astutely observed story is that as much as young women want to take charge of their own lives, there are men who want to control and abuse them. Lapena makes sure Diana’s spirit is profoundly present, first as she’s looking down from above on her dead body, then as she observes her mother’s grief, the interrogation of suspects, and the pain her friends suffer as a result of her death. Equally fascinating is the portrayal of the fiancee of one of the suspects, who’s torn between his insistence that he’s not guilty and the strong possibility that he’s not the person she’d planned to marry. As much a commentary on how women’s concerns and accusations are often dismissed as it is an intense crime story, Lapena’s novel excavates the ways so-called responsible adults don’t do enough—a crime in itself—to keep young women like Diana safe. “How many ways,” Diana asks after her death, “can a girl be assaulted?” The novel’s emotional heft will linger with readers.
A tragic death and a slew of suspects ignite this incendiary tale.Pub Date: July 30, 2024
ISBN: 9780593489963
Page Count: 320
Publisher: Pamela Dorman/Viking
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
A standout in the series.
The sixth adventure of Harvard symbology professor Robert Langdon explores the mysteries of human consciousness, the demonic projects of the CIA, and the city of Prague.
“Ladies and gentlemen...we are about to experience a sea change in our understanding of how the brain works, the nature of consciousness, and in fact…the very nature of reality itself.” But first—Langdon’s in love! Brown’s devoted readers first met brilliant noetic scientist Katherine Solomon in The Lost Symbol (2009); she’s back as a serious girlfriend, engaging the committed bachelor in a way not seen before. The book opens with the pair in a luxurious suite at the Four Seasons in Prague. It’s the night after Katherine has delivered the lecture quoted above, setting the theme for the novel, which features a plethora of real-life cases and anomalies that seem to support the notion that human consciousness is not localized inside the human skull. Brown’s talent for assembling research is also evident in this novel’s alter ego as a guidebook to Prague, whose history and attractions are described in great and glowing detail. Whether you appreciate or skim past the innumerable info dumps on these and other topics (Jewish folklore fans—the Golem is in the house!), it goes without saying that concision is not a goal in the Dan Brown editing process. Speaking of editing, the nearly 700-page book is dedicated to Brown’s editor, who seems to appear as a character—to put it in the italicized form used for Brownian insight, Jason Kaufman must be Jonas Faukman! A major subplot involves the theft of Katherine’s manuscript from the secure servers of Penguin Random House; the delightful Faukman continues to spout witty wisecracks even when blindfolded and hogtied. There’s no shortage of action, derring-do, explosions, high-tech torture machines, attempted and successful murders, and opportunities for split-second, last-minute escapes; good thing Langdon, this aging symbology wonk, never misses swimming his morning laps. Readers who are not already dyed-in-the-wool Langdonites may find themselves echoing the prof’s own conclusion regarding the credibility of all this paranormal hoo-ha: At some point, skepticism itself becomes irrational.
A standout in the series.Pub Date: Sept. 9, 2025
ISBN: 9780385546898
Page Count: 688
Publisher: Doubleday
Review Posted Online: Sept. 9, 2025
Kirkus Reviews Issue: Nov. 1, 2025
SEEN & HEARD
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