by Sharifa Rhodes-Pitts ‧ RELEASE DATE: Jan. 26, 2011
A highly informative though rarely analytical take on one of America’s most thriving cultural communities. See Jonathan...
One woman's quest to discover the heart of Harlem.
In her debut, Rhodes-Pitts alternates between the personal and the scholarly in an attempt to define the importance of the place, both for African-Americans and the country at large. It is a complicated tale with a “loathsome history of neglect and destruction stretching back to the beginning of black settlement in Harlem and its corollary, white flight.” Yet Harlem is more than a neighborhood with racial roots, which the author proves by focusing primarily on its cultural contributions. Rhodes-Pitts relies heavily on Harlem's famed writers to tell its history, yet the words of Langston Hughes, Ralph Ellison, James Baldwin, Toni Morrison and Nella Larsen do little more than create a shoddy patchwork of familiar terrain. The author also explores Harlem through visuals—descriptions of statues, advertisements, signage, even funeral portraiture—yet photographs are her staple, particularly the work of James VanDerZee, whose photos depict “provided an antidote to the destitute, shell-shocked image then attached to the neighborhood, forming a new iconography of its best days.” For Rhodes-Pitts, these photos served as portals to an earlier time, escorting “the viewer halfway into the interior life of Harlem.” Unfortunately, readers may never feel connected to the other half. The author’s most successful attempts at a complete view of Harlem are the personal stories from the people themselves, yet even this strategy is employed with varying success. The book's primary shortfall is the author's genre-indecisiveness. Part memoir, part scholarly prose, the result is a peculiar hybrid incapable of fully capitalizing on the merits of either genre. Further, the author's overreliance on quotations leaves little room for her own insights and expertise on the subject.
A highly informative though rarely analytical take on one of America’s most thriving cultural communities. See Jonathan Gill’s upcoming Harlem (2011) for more comprehensive coverage.Pub Date: Jan. 26, 2011
ISBN: 978-0-316-01723-7
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Sept. 30, 2010
Kirkus Reviews Issue: Oct. 15, 2010
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by Sharifa Rhodes-Pitts ; illustrated by Christopher Myers
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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