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WHEN CHRIST AND HIS SAINTS SLEPT

In her fifth ambitious historical novel (The Reckoning, 1991, etc.)—and the first of a trilogy—Penman once again tells a tale of kings and queens, singular destinies and double-crosses, at an unhurried pace. Happily, though, the author continues to base her narrative on the firm ground of fact—or at least on what is available after scholars have parted the medieval clouds of chroniclers' bias. Here begins the story of England's terrible 18 years from 1135-1153, during which a dead king's daughter, Maude, and her cousin Stephen fight for the crown. Of the 23 children sired by Henry I, son of William the Conqueror, only two were born in wedlock: William, whose drowning opens the novel, and Maude, who's declared the legitimate heir. Upon the king's death, however, Stephen, also a grandchild of William I, snatches the crown. Meanwhile, Maude, who was shipped off at the age of nine to marry a German emperor and who was later forced to marry Geoffrey of Anjou, is a woman with grievances. With her ``right hand''—Robert, Earl of Gloucester- -Maude begins her painful, doomed route to the crown. Castle by castle, there are defeats and brief triumphs on both sides; alliances crumble and mend; innocents are slaughtered and countrysides destroyed; and, as regularly as ticking clocks, messengers leave frothing horses to report (usually) disaster. England rejects Maude (because she's a woman, she thinks), but she fights for the kingship of her son in France, who as Henry II will finish what Maude began—after marriage to powerful, beautiful Eleanor of Aquitaine. Penman inventively animates a large cast; and, given the hints of a drama featuring Henry and Eleanor in the works, a solidly beefy introduction to the first skirmishes of the Plantagenets. (First printing of 75,000; Literary Guild selection; author tour)

Pub Date: April 14, 1995

ISBN: 0-8050-1015-7

Page Count: 648

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1995

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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