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RAT PACK CONFIDENTIAL

FRANK, DEAN, SAMMY, PETER, JOEY, AND THE LAST GREAT SHOWBIZ PARTY

Levy shifts the focus from one of show business’s great egotists, Jerry Lewis (King of Comedy, 1996), to entertainment’s most hedonistic gathering of narcissists, the Rat Pack. Most of its members were larger than life—Frank Sinatra, Dean Martin, Sammy Davis, Peter Lawford. Joey Bishop wasn’t, of course, but that was his charm. They gathered in Las Vegas in 1960 for the shooting of the less-than-immortal film Ocean’s Eleven, an event that turned into one huge party, a lengthy day-and-night celebration of booze, broads, and bucks. With this lunatic extravaganza as its pivot point, the book traces the rise and fall of this quintet of famous men, trying somewhat vainly to explain their hipper-than-thou attitudes as some part of the Zeitgeist that produced the wretched excesses of the Kennedy White House. As Levy himself notes in the acknowledgments to the book, the lives and peccadilloes of these men are amply documented in dozens of books. We are treated to a snappily written retelling of Sinatra’s rise from working-class Hoboken, NJ, fueled by his mother’s high-octane shoving, to his success as teen idol and band singer, his catastrophic fall from grace in the early ’50s and no less meteoric return with the film From Here to Eternity and a series of classic recordings for Capitol Records. Levy embroiders on the story of Martin’s even more improbable success, which he touched on in the Lewis bio. Indeed, except for the material on Joey Bishop, which is (surprisingly enough) downright delightful, there isn’t much that is unfamiliar—the Rat Pack’s dalliances with the Kennedys, ties to the Mob, decline and fall. And although Levy’s take on all this is suitably critical, there is something creepily voyeuristic about the relish with which he peddles these tales. (16 pages b&w photos, not seen) (Author tour)

Pub Date: May 1, 1998

ISBN: 0-385-48751-7

Page Count: 352

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1998

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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