by Shelly Dubois ‧ RELEASE DATE: Feb. 18, 2016
A painful, uplifting, and beautiful meditation on loss and recovery.
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A mother discusses the loss of her daughter to cancer and her own emotional healing in the aftermath.
Debut author Dubois’ oldest daughter, Chantal, began suffering from headaches and blurred vision in 2006, at age 18, which were severe enough to warrant medical attention. Doctors discovered a tumor located at the base of Chantal’s brain, which they determined was inoperable but also benign. However, a second biopsy revealed that the tumor was, in fact, cancerous, and Chantal was diagnosed with a Stage IV astrocytoma. She immediately started chemotherapy, which was followed by radiation therapy, and the author arrestingly recounts the debilitating consequences of those treatments: Chantal gained nearly 50 pounds, lost her hair, and was plagued by chronic lethargy. She eventually rebounded enough to take some college courses, but then her tumor grew larger and a second one appeared, and the author was forced to face the grim reality that her daughter would soon die. Dubois also discusses the range of challenges associated with extreme ill health, including the considerable financial toll; Chantal’s last drug regimen, for example, was not covered by insurance, and the costs were astronomical. In the wake of her daughter’s death, the author groped for some sense of spiritual meaning and developed an interest in the afterlife. Additionally, she immersed herself in volunteer work to help others stricken by similar tragedies; she now serves on the board of directors for the Helping Families Handle Cancer Foundation. Dubois writes with notable clarity, given the nature of the grief she relates; for example, her account of her daughter’s passing is heartbreakingly poignant. She also insightfully reflects on her trauma in a way that should be of particular interest to those who have suffered similarly. For example, she finds that her spiritual quest seemed to offer her some support, if not quite consolation: “I have come to fully accept that Chantal had a purpose here, as we all do and that she had to leave early as her time in the physical world was done. I still experience her presence every once in a while, and I receive signs that she’s with me.”
A painful, uplifting, and beautiful meditation on loss and recovery.Pub Date: Feb. 18, 2016
ISBN: 978-1-4602-7920-5
Page Count: 132
Publisher: FriesenPress
Review Posted Online: April 21, 2016
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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