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THE SWEETER THE JUICE

A FAMILY MEMOIR IN BLACK AND WHITE

A provocative memoir that goes to the heart of our American identity as Haizlip (owner of a public-relations firm), while searching for her mother's family—blacks who passed for whites- -confronts the deeply intertwined but often suppressed tensions between race and skin color. From childhood, Haizlip was aware of her mother's underlying melancholia, and as Margaret Taylor neared her 80th birthday, her daughter decided to find the family that the woman had lost when, at age four, she'd been left in the care of her darker-skinned relatives. The beautiful, alabaster-skinned Margaret had grown up to be ostracized because she was identified with the black side of the family—the side her own siblings chose to ignore by passing as white. ``I am a black woman, but many of you would never know it, my skin is as light as that of an average white person,'' Haizlip observes, raising the delicate question of pigmentocracy among blacks as she traces her family's roots. These include Martha Washington; an Irish grandmother; Native Americans; and a white indentured servant. The author notes that some geneticists claim that 95% of ``white'' Americans have varying degrees of black heritage, while 75% of African-Americans have at least one white ancestor. But Haizlip's memoir is more than a lesson in genealogy or race: It's also a family story, with memorable heroes, heroines, and villains. The author contrasts the Dickensian horrors of her mother's early life with the relatively idyllic childhood she enjoyed as the daughter of a prominent Baptist minister, and covers her own education at Wellesley; her marriage and professional life; and the happy outcome of her search—the reuniting of her mother and her remaining siblings. Finally, Haizlip admits to having ``grown less certain about the vagaries of race...more cautious in labeling or pigeonholing others.'' A moving tale of family sorrows and secrets—as well as a courageous and candid search for the truth, however painful it might be. (Sixteen pages of b&w photos—not seen)

Pub Date: Jan. 24, 1994

ISBN: 0-671-79235-0

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1993

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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