A rich, urbane, insightful collection.
Masterful essays from an award-winning fiction writer.
Assessing the novels of Barbara Pym, Hazzard (The Great Fire, 2003, etc.) writes, “her candid, penetrating humanity can be disconcerting, like a quiet, strong, perceiving presence in a busy room.” Much the same can be said of Hazzard’s exquisitely crafted essays, which radiate with shrewd wisdom and intelligence. Of the pieces collected here, only three, lectures she delivered in Princeton’s Gauss Seminar series, have not been previously published in periodicals or as contributions to books. Editor Olubas (English/Univ. of New South Wales; Shirley Hazzard: Literary Expatriate and Cosmopolitan Humanist, 2012, etc.) notes that Hazzard sees nonfiction as “something of a distraction…from her primary labor.” But the same qualities acclaimed in her fiction are evident here: acute attention to language and a passionate commitment to fostering “the private bond, the immortal intimacy” between reader and writer. Among many fine pieces are an elegy to her mentor William Maxwell, who first published her stories in the New Yorker and became a cherished friend; her praise of Nobel Prize–winning author Patrick White for work that celebrates “the bloom of a bound humanity”; and five uncompromising critiques of the United Nations, where Hazzard worked in the 1950s. Characterizing the U.N. as a useless body of frightened men, she calls for reforming the “corrupt political basis” endemic in the organization, singling out former Secretary-General Kurt Waldheim for his disastrous record on human rights. One autobiographical essay stands out for its gentle, telling revelations of the author at 16—naïve and craving adventure—living with her parents in Hong Kong, where her need for “an occupation” was fulfilled by a mundane job in a government office. Sent on an assignment to Canton, she recalls the alien “contours of Eastern lands, those landscapes that have never heard of Romanticism or Impressionism.”
A rich, urbane, insightful collection.Pub Date: Jan. 5, 2016
ISBN: 978-0-231-17326-1
Page Count: 240
Publisher: Columbia Univ.
Review Posted Online: Sept. 14, 2015
Kirkus Reviews Issue: Oct. 1, 2015
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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