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LAW MAN

MY STORY OF ROBBING BANKS, WINNING SUPREME COURT CASES, AND FINDING REDEMPTION

Will appeal to fans of legal thrillers and stories of redemption.

With the assistance of Burke (co-author: The Translator: A Tribesman's Memoir of Darfur, 2008), Hopwood delivers an unusual tale of punishment and redemption.

The author is frank and regretful about his youthful decision to rob five banks in the vast area around his small Nebraska hometown. When his crime spree unraveled, he wisely took a plea offer, resulting in a 12-year federal prison sentence. Without diminishing his own culpability, Hopwood writes affectingly of the prison experience: “It is beyond strange to be in such a place and feel your life freezing over, like a sci-fi story where you lie down in your rocket, not to return until everyone you know is old.” Although he was nervous about the intricate social behaviors required to survive in prison, he was luckily transferred from the kitchen to the prison legal library, where he discovered an aptitude for decoding court decisions. He also realized that helping his fellow prisoners with their appeals gave him a sense of moral balance. Improbably, one such filing, concerning a dubiously obtained confession, went all the way to the Supreme Court, and Hopwood worked with high-powered attorney Seth Waxman to prepare the ultimately successful argument. He also found time to strike up a long-distance romance with a beautiful but troubled girl from home. The author’s success helped him stay straight after his release, when he found employment at a printer of Supreme Court briefs. The prose is clear and thoughtful, vividly illustrating the grim absurdity of life in prison, and most readers will root for Hopwood’s attempts to follow a different path. However, some readers will tire of the author’s proselytizing tone with respect to his rediscovered Christian faith.

Will appeal to fans of legal thrillers and stories of redemption.

Pub Date: Aug. 7, 2012

ISBN: 978-0-307-88783-2

Page Count: 320

Publisher: Crown

Review Posted Online: July 11, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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