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FOUR FEET TALL AND RISING

A MEMOIR

A candid, charged slice of personal history.

A salty, pugnacious memoir of a Little Person, his gangland background, his love of pit bulls and his road back from self-destruction.

Rossi is known to many as a brash-talking TV personality whose mission is to rehabilitate the pit bulls’ woeful image. “The dogs were not designed to kill,” he writes. “They had no special “enzyme” that made them fight. It’s only humans that consciously make the decision to kill. All dogs are capable of violence if they’ve been trained by shitty owners to be nasty, protective, fighting machines.” Rossi has seen the same thing happen with another species—his own. He barely survived his youth at the hands of a violently abusive father, fleeing to his friend’s house in the Watts neighborhood of Los Angeles, where by dint of association he became a member of the Bloods gang. He lived on the edge, always ready for something bad to happen: “I learned to protect myself. I carried guns.” This path would earn him 11 years in prison, where he was the only white man housed in a black unit, preferring Blood relations to life with the Aryan Brotherhood. His prison diary is told with a surprising degree of insight, but this is a story of redemption. Eventually Rossi managed to wire his act together, starting a Little People talent agency, working hard as an actor and dance man and working tirelessly to resuscitate the pit bull and bull terrier image. “That’s the most important thing,” he writes. “To give something back, no matter what it is…To actually be considered a success, you gotta give a shit.” Now he has caught a little break, a moment of fame, and he’s using it for the dogs and the Little People.

A candid, charged slice of personal history.

Pub Date: Jan. 17, 2012

ISBN: 978-0-307-98588-0

Page Count: 288

Publisher: Crown Archetype

Review Posted Online: Nov. 27, 2011

Kirkus Reviews Issue: Dec. 15, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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