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WHO TOOK MY HAIRY TOE?

This folktale has been a favorite for many storytellers and Crum, a storyteller herself, provides a smooth and lively retelling that will send shivers down the listener’s spine. Old Tar Pockets is a truly greedy man who steals warm, soft tar from a neighbor’s bucket and sticks it in his pocket as it is the only thing he has to carry it back home. He also digs up “sweet taters” for supper—but in the process he finds a big, hairy toe. He sticks the toe in the same pocket as the tar, and it sticks tight. That night, he hears a voice crying, “WHO TOOK MY HAIRY TOE?” so he crawls under the quilt to escape, but the voice keeps asking the question. At last, he answers, begging the beast to take it, but, since it is stuck in his pocket, the beast carries Old Tar Pockets away. The tale ends with the folk saying, “ ‘Pay that no nevermind! It’s just Old Tar Pockets getting his due.’ I say, ‘Just as long as what’s in your pocket is yours . . . I wouldn’t worry about it.’ ” Illustrations begin with bright and sunny rural landscapes, but soon become somber, dark, and scary as the telling gets progressively scarier. The beast is suitably ghostly until the last two spreads, where he is depicted as huge and furry as he carts Tar Pockets off. An author’s note cites sources for the tale and the variants, which include the British “Teeny Tiny Bone” and the Midwestern “Tailipoo.” (Folktale. 5-8)

Pub Date: Sept. 1, 2001

ISBN: 0-8075-5972-5

Page Count: 32

Publisher: Whitman

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2001

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A PLUMP AND PERKY TURKEY

The leaves have changed, Thanksgiving nears—and the canny turkeys of Squawk Valley have decamped, leaving local residents to face the prospect of a birdless holiday. What to do? They decide to lure a bird back by appealing to its vanity, placing a want ad for a model to help sculptors creating turkey art, then “inviting” the bird to dinner. The ploy works, too, for out of the woods struts plump and perky Pete to take on the job. Shelly debuts with brightly hued cartoon scenes featuring pop-eyed country folk and deceptively silly-looking gobblers. Pete may be vain, but he hasn’t lost the wiliness of his wild ancestors; when the townsfolk come for him, he hides amidst a flock of sculpted gobblers—“There were turkeys made of spuds, / there were turkeys made of rope. / There were turkeys made of paper, / there were turkeys made of soap. / The room was full of turkeys / in a wall to wall collage. / For a clever bird like Pete / it was perfect camouflage.” He makes his escape, and is last seen lounging on a turkey-filled tropical beach as the disappointed Squawk Valleyites gather round the table for a main course of . . . shredded wheat. Good for a few giggles. (Picture book. 6-8)

Pub Date: Sept. 1, 2001

ISBN: 1-890817-91-0

Page Count: 40

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2001

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PLAYING WITH LANTERNS

A charming illustration of childhood memories during the holiday season.

A colorful wintry tale ushers in Chinese New Year over two weeks.

In this picture book, the narrator recounts with nostalgia an observance of the traditional New Year in rural northern China. The snow-covered village bustles with activity as folks venture out to greet relatives and friends. “On the third day, uncles started giving LANTERNS” refers to an old custom in provincial Shaanxi—especially among maternal uncles. Palpable and immediate are Zhao Di’s eager anticipation and the care with which she “walk[s] through the snow with her lantern in case she slipped or the candle blew out in the wind.” Simple yet vivid close-ups depict Zhao Di and her friends, bundled head to toe and comparing lantern designs—accordion, watermelon, etc.—while braving the cold and a bunch of rowdy boys. All too soon, the 15th day arrives, signaling the end of the New Year celebrations. In a pivotal spread that shows Zhao Di sitting with her dog and chickens, readers are granted an interior view of the architecture and layout of a rustic farmhouse. In addition, the villagers’ various clothing styles, headdresses, and skin tones suggest the region’s diverse ethnicities and socio-economic landscapes. As the story concludes with the obligatory smashing and burning of the lanterns, Zhao Di comforts herself with the hopeful thought of lighting new lanterns next year.

A charming illustration of childhood memories during the holiday season. (author's note) (Picture book. 5-8)

Pub Date: Dec. 7, 2021

ISBN: 978-1-5420-2984-1

Page Count: 40

Publisher: Amazon Crossing Kids

Review Posted Online: Sept. 23, 2021

Kirkus Reviews Issue: Oct. 15, 2021

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