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JUST RIGHT FAMILY

AN ADOPTION STORY

A book to broaden collections about families.

Meili thinks her multiracial, adoptive family is just right as it is, and she doesn’t want her parents to adopt a new baby sister.

Meili’s parents—Mama, who appears white with light skin and blonde hair, and Papa, depicted as a man of color with medium-brown skin and curly dark hair—adopted her from China. She’s secure in their love and likes to hear them tell her, “We looked in our hearts and saw you there,” when they share her adoption story. But when they tell her they’ve seen another baby girl in their hearts and they need to go to Haiti to adopt her, Meili is distressed. Her parents involve her in preparations for the baby, and her teacher (who has light-brown skin) offers encouragement, too. But it’s Meili’s grandmother, depicted as a white woman, who provides the most comfort while caring for Meili when her parents travel to Haiti. When they return with baby Sophie (who has dark-brown skin and curly, short-cropped, dark hair) Meili welcomes her as a sister. She tells her what they’ll do together, naming activities she’d previously enjoyed alone with her parents. Although there’s sadly no mention of birth families in this story (only vague references to the girls’ “need[ing] new homes”) the affirming vision of adoptive sibling bonding is welcome.

A book to broaden collections about families. (Picture book. 3-6)

Pub Date: March 1, 2018

ISBN: 978-0-8075-4082-4

Page Count: 37

Publisher: Whitman

Review Posted Online: Jan. 21, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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IZZY GIZMO AND THE INVENTION CONVENTION

From the Izzy Gizmo series

A disappointing follow-up.

Inventor Izzy Gizmo is back in this sequel to her eponymous debut (2017).

While busily inventing one day, Izzy receives an invitation from the Genius Guild to their annual convention. Though Izzy’s “inventions…don’t always work,” Grandpa (apparently her sole caregiver) encourages her to go. The next day they undertake a long journey “over fields, hills, and waves” and “mile after mile” to isolated Technoff Isle. There, Izzy finds she must compete against four other kids to create the most impressive machine. The colorful, detail-rich illustrations chronicle how poor Izzy is thwarted at every turn by Abi von Lavish, a Veruca Salt–esque character who takes all the supplies for herself. But when Abi abandons her project, Izzy salvages the pieces and decides to take Grandpa’s advice to create a machine that “can really be put to good use.” A frustrated Izzy’s impatience with a friend almost foils her chance at the prize, but all’s well that ends well. There’s much to like: Brown-skinned inventor girl Izzy is an appealing character, it’s great to see a nurturing brown-skinned male caregiver, the idea of an “Invention Convention” is fun, and a sustainable-energy invention is laudable. However, these elements don’t make up for rhymes that often feel forced and a lackluster story.

A disappointing follow-up. (Picture book. 3-6)

Pub Date: March 1, 2020

ISBN: 978-1-68263-164-5

Page Count: 32

Publisher: Peachtree

Review Posted Online: Jan. 11, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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