Flashy at first glance, routine at second and subsequent looks.
With scattered exceptions, the trendy “infographics” approach stops at the title in this haphazard ramble past animal types and extremes.
The book is printed on stiff stock and features edge tabs bearing icons to denote each section’s subject—not always well-chosen ones: Dog faces mark both the chapter on dogs and one on animal senses in general. The coverage begins with Darwin and ends abruptly (sans index or other backmatter) with a highly select gallery of canine breeds. In between, it offers equally select surveys of animal habitats, physical characteristics, family life, defense mechanisms and other topics. The writing sometimes reads like a bad translation: “A hippo can extend its mouth to 180 degrees.” The snippets of text are placed around or within intensely hued images that are mostly solid, stylized animal silhouettes, but unlike the ingeniously designed graphics in Margaret Hynes and Andy Crisp’s Picture This! Animals (2014), here the art is seldom arranged or scaled to impart information in a visual way. Aside from, for instance, a toothbrush “graph” comparing the numbers of various creatures’ teeth or silhouettes running around a marked speed gauge, Blechman’s illustrations just place animals in decorative groupings or next to conventional lists and bar graphs.
Flashy at first glance, routine at second and subsequent looks. (Nonfiction. 11-13)Pub Date: April 8, 2014
ISBN: 978-0-7636-7122-8
Page Count: 80
Publisher: Big Picture/Candlewick
Review Posted Online: Jan. 14, 2014
Kirkus Reviews Issue: Feb. 1, 2014
BOOK REVIEW
A riveting adventure about an encounter with one of nature’s most formidable manifestations. Beard (The Flimflam Man, 1998, etc.) presents a suspenseful account of Lucille and her brother Natt’s experience during an afternoon tornado; readers will keep turning the pages until the climactic conclusion. Natt and Lucille are left alone in shelter of the cellar during the storm as their mother goes to assist an elderly neighbor. With quiet courage the two face the storm, relying upon each other for moral and physical support. Beard’s lyrical descriptions of Natt and Lucille’s experiences lend a you-are-there immediacy to the tale, while Carpenter’s generously colored artwork vibrates with the intensity of nature unleashed. Turquoise skies quickly turn to dark indigo as the storm approaches. Deep, foreboding grays predominate as Natt and Lucille wait out the storm; with the return of lighter skies and colors, the children emerge from their shelter. A rousing tale. (Picture book. 4-8)
Pub Date: March 10, 1999
ISBN: 0-374-37977-7
Page Count: 32
Publisher: Farrar, Straus and Giroux
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 15, 1999
This bittersweet tale takes readers into a dark, ancient woods in the American Northwest. A father and son make this forest their special place to commune with the wild, to visit with the creatures that live therein, and to revel in the mesmerizing views. One day they find spots painted on the trees, markings for loggers. The boy and his father and family ignite a small grassroots resistance to the felling of the trees. They fight for something they believe in—it is almost a sacred obligation for them—but they are unsuccessful: the laws governing private property prevail. The trees are cut and, luckily, the father and son find another stand in which to take solace. The Rands (A Home for Spooky, 1998, etc.) offer a bright fusion of the cautionary and the inspirational, and the artwork is effective in conveying the outsized majesty of the old growth. (Picture book. 6-9)
Pub Date: March 1, 1999
ISBN: 0-8050-5466-9
Page Count: 32
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1999
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