Though important both culturally and historically, unfortunately what should be haunting is less than.
A stark and pensive glimpse at a young boy's family as they immigrate to West Berlin prior to the collapse of the Berlin Wall.
Through the dual lenses of childhood innocence and adult hindsight, Schwartz tells the story of how his parents fled East Germany, leaving behind all they had ever known and even severing ties to loved ones who disagreed with their defection. More artistic than allegiant, and keenly observant, his parents come separately to their own realizations that they want to leave their oppressive homeland. When they apply for leave, they face the wrath of the fierce Stasi—East Germany’s police force, which knows no boundaries—and suffer ridicule, loss of privacy and humiliation as they are slowly denaturalized. Readers will feel the force of the stern and smothering oppression and should re-examine their own given freedoms. However, while significant and evocative, Schwartz's offering—bobbing about in a veritable sea of graphic memoirs—doesn't leave enough that lingers, down to its art, which is reminiscent of Marjane Satrapi’s or Zeina Abirached’s. For a more memorable—and visually striking—look into this time, check out Peter Sís’ remarkable The Wall (2007).
Though important both culturally and historically, unfortunately what should be haunting is less than. (glossary, timeline, map) (Graphic memoir. 12-18)Pub Date: March 1, 2015
ISBN: 978-1-4677-5840-6
Page Count: 112
Publisher: Graphic Universe
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced...
A pairing of the text of the Scottish Play with a filmed performance, designed with the Shakespeare novice in mind.
The left side of the screen of this enhanced e-book contains a full version of Macbeth, while the right side includes a performance of the dialogue shown (approximately 20 lines’ worth per page). This granular focus allows newcomers to experience the nuances of the play, which is rich in irony, hidden intentions and sudden shifts in emotional temperature. The set and costuming are deliberately simple: The background is white, and Macbeth’s “armor” is a leather jacket. But nobody’s dumbing down their performances. Francesca Faridany is particularly good as a tightly coiled Lady Macbeth; Raphael Nash-Thompson gives his roles as the drunken porter and a witch a garrulousness that carries an entertainingly sinister edge. The presentation is not without its hiccups. Matching the video on the right with the text on the left means routinely cutting off dramatic moments; at one point, users have to swipe to see and read the second half of a scene’s closing couplet—presumably an easy fix. A “tap to translate” button on each page puts the text into plain English, but the pop-up text covers up Shakespeare’s original, denying any attempts at comparison; moreover, the translation mainly redefines more obscure words, suggesting that smaller pop-ups for individual terms might be more meaningful.
Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced e-book makes the play appealing and graspable to students . (Enhanced e-book. 12 & up)Pub Date: Sept. 9, 2013
ISBN: N/A
Page Count: -
Publisher: The New Book Press LLC
Review Posted Online: Nov. 6, 2013
Kirkus Reviews Issue: Dec. 1, 2013
Shakespeare’s fantastical dream in an appealing format that can be shared with a wider audience.
Manga that brings to life Shakespeare’s classic romantic comedy.
This third entry in Manga Classics’ adaptations of Shakespeare’s plays maintains their practice of reproducing the full text of the original. The black-and-white illustrations allow readers to easily follow the plot while also picking up on subtle themes that are significant to understanding the play. For example, the abundant imagery surrounding the moon is emphasized by the moon’s presence in the backgrounds of many panels throughout the book, drawing readers’ attention. Long dialogues are also explained visually, which allows young readers to grasp what is being discussed without the need for a glossary or translation into modern English. The nobility is portrayed in a typical manga fashion with large eyes, small noses, and well-defined ears—but with appropriate Grecian clothing—while the commoners are easily visually distinguishable from them in style. The guide to reading manga at the beginning unfortunately describes the right-to-left reading order as “backwards from the normal books you know,” a strangely judgment-laden description for a book using manga to broaden the cultural exposure of young readers. However, the creators’ notes at the end offer fascinating insights into the adaptation process and may inspire budding manga artists to attempt their own works.
Shakespeare’s fantastical dream in an appealing format that can be shared with a wider audience. (cast, creators’ notes, character design sheet) (Graphic fiction. 12-18)Pub Date: April 16, 2019
ISBN: 978-1-947808-10-2
Page Count: 400
Publisher: Manga Classics
Review Posted Online: Feb. 12, 2019
Kirkus Reviews Issue: March 1, 2019
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