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DEAD IN 5 HEARTBEATS

Barger, an ex-president of the notorious Hell’s Angels, has authored (with an assist from the Zimmermans) nonfiction about...

Nonstop violence in a debut thriller about sociopaths on wheels.

If you belong to the Infidelz, the preeminent motorcycle club in northern California, you’d better be ready to maim and kill at a moment’s notice. But that’s okay: you like maiming and killing. It’s why you hooked up in the first place. “Patch” Kinkade, alienated, battle-scarred, encyclopedically tattooed—“skulls, gargoyles, fiery crosses, tombstones, thunderballs, and . . . the names of ex-girlfriends”—is a lurid case in point. For 23 years, better than half his life, he’s worn the black and orange (complete with demon skull) of Infidelz. He’s served as club president; earned membership in its elite 187 Crue (187, to honor the murder statute in California's penal code); been anointed a 1%er (“the baddest of the bad”); and so on down an unabashedly sociopathic list. But, as the story opens, Patch has decided, for personal reasons, to forsake Oakland—scene of his glory days. Throwing a leg across his beloved Mean Machine (a Harley Road King), he heads for Arizona and new citizens to intimidate—though not for long. During his brief absence, internecine war has broken out. As a result of a bad night at Trader’s Roadhouse, bikers from the Gun Runners, the 2Wheelers, and Soul Sacrifice, others joining in along the way, have taken to killing each other off. So far, Infidelz isn’t directly involved, but everyone knows it soon will be, and that Patch, plus his weapon of choice, a seven-inch Schrade blade, will be needed. He owns a lot of Schrades. Why not? Multipurposed and sturdy, they’re also cheap enough to “leave stuck in some unlucky victim.”

Barger, an ex-president of the notorious Hell’s Angels, has authored (with an assist from the Zimmermans) nonfiction about biker activities and clearly knows whereof he speaks—if that’s a recommendation.

Pub Date: Oct. 1, 2003

ISBN: 0-06-053251-3

Page Count: 320

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2003

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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