Weak character development, poor design and graceless art will leave readers dissatisfied.
A disappointing bilingual offering.
On the morning of his birthday party, young Roberto awakens to find his cascarones— decorated, hollowed eggs filled with confetti—are missing. Roberto concludes the Cucuy, or the boogeyman, has stolen them and bravely sets out to find the villain—a decision praised in his imaginings by the little monsters that are, bizarrely, his companions throughout the story in the illustrations but that are absent from the text. Roberto journeys around his town, following the trail of confetti left by the cascarones and discovering the Cucuy has stolen items intended for his party from various shop owners. In another illustrative choice that may confuse readers, the shop owners he meets are described one way (hands on hips, hands thrown into the air, etc.) but depicted another. The ending, in which Roberto finds the lost items but doesn’t grasp what has actually occurred, paints Roberto as an unbelievably naïve character. Child readers who see through that naïveté will be unlikely to want to identify with him. It’s also disturbing that everyone in this book is portrayed as pale-skinned—a representation untrue to the diversity of Hispanic peoples.
Weak character development, poor design and graceless art will leave readers dissatisfied. (Bilingual picture book. 3-6)Pub Date: Nov. 30, 2013
ISBN: 978-1-55885-771-1
Page Count: 32
Publisher: Piñata Books/Arte Público
Review Posted Online: Sept. 24, 2013
Kirkus Reviews Issue: Oct. 15, 2013
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
The action of this rhymed and humorous tale centers upon a mouse who "took a stroll/through the deep dark wood./A fox saw the mouse/and the mouse looked good." The mouse escapes being eaten by telling the fox that he is on his way to meet his friend the gruffalo (a monster of his imagination), whose favorite food is roasted fox. The fox beats a hasty retreat. Similar escapes are in store for an owl and a snake; both hightail it when they learn the particulars: tusks, claws, terrible jaws, eyes orange, tongue black, purple prickles on its back. When the gruffalo suddenly materializes out of the mouse's head and into the forest, the mouse has to think quick, declaring himself inedible as the "scariest creature in the deep dark wood," and inviting the gruffalo to follow him to witness the effect he has on the other creatures. When the gruffalo hears that the mouse's favorite food is gruffalo crumble, he runs away. It's a fairly innocuous tale, with twists that aren't sharp enough and treachery that has no punch. Scheffler's funny scenes prevent the suspense from culminating; all his creatures, predator and prey, are downright lovable. (Picture book. 3-6)
Pub Date: June 1, 1999
ISBN: 0-8037-2386-5
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1999
SEEN & HEARD
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