Both friendly and inspiring—just like its subject.
Young Carl Sagan looks endearingly like his grown-up self, with expressive dark eyebrows and a cheerful look of inquiry, in this warm account of the life of the notable scientist.
Sisson captures an important moment in young Sagan’s life. In a library, where he has been handed a book on stars, “Carl’s heart beat faster with every page he turned.” The next double-page spread offers a vertical orientation and a gatefold opening skyward, as if Carl himself were soaring into space. He imagines extraterrestrial life and space travel among the planets—and though he can’t wish himself to Mars, he finds a way to get there in spirit. The text sums this up with brevity: “He studied life and space and became… / …Dr. Carl Sagan.” Sisson’s economical narrative and lighthearted illustrations convey Sagan’s regard for the power of imagination and his generous approach to knowledge. She includes the accomplishments for which Sagan will be remembered: his passion for science and space discovery that he shared with the world through his television appearances and the creation and launching of space missions—in particular the Voyager probes, with their recordings of Earth sounds and sights. Abundant backmatter (oddly missing Sagan’s birth date) is compactly delivered in a two-page spread with a list of quotations and sources, a bibliography/resource list and an author’s note.
Both friendly and inspiring—just like its subject. (Picture book/biography. 4-8)Pub Date: Nov. 4, 2014
ISBN: 978-1-59643-960-3
Page Count: 40
Publisher: Roaring Brook Press
Review Posted Online: Sept. 13, 2014
Kirkus Reviews Issue: Oct. 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...
An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.
Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-17258-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)
Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.
Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-1-60060-898-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
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