Book #1 (of four) of King's celebrated megabucks publishing contract—and it's King at his effusive near-best, with a long, ultra-violent, suspenseful story of a best-selling writer whose pseudonym comes to life and goes on a murderous rampage. As in Misery, King again fantasizes from his own writerly experience, creating as his hero Maine author Thad Beaumont—who, in addition to literary novels under his own name, has written four grisly best-sellers under the pen name of George Stark. Unlike King's own Richard Bachman pseudonym, though—to whom King claims "indebtedness" here, and who was laid to rest after exposure by a resourceful reporter—Stark takes on malignant flesh after Thad (staving off threatened exposure) kills him off by going public in People magazine. Rising from his mock grave pictured in the People spread, Stark beats to death a local Maine man—and draws the ire of subsidiary hero Sheriff Alan Pang-born. When Stark's fingerprints turn out to match Thad's, the writer becomes the law-man's prime suspect—until Stark's graphically detailed blood-riot in Manhattan, where he kills Thad's literary agent and everyone associated with his "death," convinces Pang-born that Thad is innocent. King enriches this mayhem with his usual psychological soundings (are the now telepathically linked Stark and Thad truly two halves of one whole?) and occult symbolism (in an effective borrowing from The Birds, millions of sparrows, "psychopomps," herald Stark's moves). But the strong accent here is on violent action, with matters reaching a ripping climax as Stark kidnaps Thad's family to force Thad to help him write one last novel—the writing of which will allow the crazed Stark, now decaying, to suck up Thad's life force. A potent, engrossing blend of occult and slasher horror, not as fully riveting or grandly ironic as Misery, but without the pomposities of much other recent King—It; The Tommy-knockers—and certainly slick and scary enough to make it the book to beat on the fall lists.
Pub Date: Oct. 23, 1989
ISBN: 0451167317
Page Count: 374
Publisher: Viking
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: Sept. 15, 1989
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
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