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The Mothership

A compelling, visionary must-read for literary sci-fi fans that recalls genre classics by Frederik Pohl and Arthur C. Clarke.

Awards & Accolades

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In Australian author Renneberg’s (The Siren Project, 2012) blockbuster science-fiction thriller, humanity comes in contact with a vastly advanced alien race.

When an apparent meteor falls in a remote area of Australia’s Northern Territory, a diverse group of people heads off to investigate the site, including a zoologist who ran a research station that had all of its metal removed by an unidentified flying object; a band of beer-swilling hunters; an Aborigine hunter; and an elite military team that specializes in dealing with extraterrestrials. The fallen object turns out not to be a meteorite at all, but a massive alien mother ship that has inexplicably crash-landed. It soon becomes apparent that the aliens have begun to mine the area with drones and seem to be building a breathtakingly large defensive bridgehead. Some of the humans want to study the aliens and attempt to communicate with the crash survivors, while others want to simply nuke them off the face of the Earth. But two questions remain: What do these aliens want, and why are they here? Renneberg seamlessly and brilliantly intertwines his storylines (and includes a vivid and fascinating description of the aliens’ back story) while also examining humankind’s myriad shortcomings. First-contact stories are common in science fiction, but Renneberg’s highly original novel successfully avoids clichés while also providing a highly readable, breakneck-paced story. Readers will likely enjoy its bombshell plot twists and its fitting (and mind-blowing) conclusion.

A compelling, visionary must-read for literary sci-fi fans that recalls genre classics by Frederik Pohl and Arthur C. Clarke.

Pub Date: June 17, 2013

ISBN: 978-0987434739

Page Count: 592

Publisher: CreateSpace

Review Posted Online: July 5, 2013

Kirkus Reviews Issue: Aug. 1, 2013

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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