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I CAN'T DRAW

In this relatable account, a child’s struggles to draw turn to triumph.

What makes a good drawing? Accuracy or embellishment?

This ode to the triumphs and difficulties of drawing opens with the step-by-step construction of a cat. A child named Max then proclaims, “I can’t draw!” Wadded-up scraps of paper on the ground are signs of Max’s frustration as they display their efforts at creating a space cat and a horse. Sorta. In contrast is the horse that Max’s friend Eugene has drawn, a prancing, beautifully rendered equine. Max proceeds to offer Eugene cupcakes in exchange for lessons, which Eugene does, first by giving Max a book and then by working side by side with Max on landscapes, animals, and self-portraits. Alas, only tracing improves Max’s efforts. But Max and their imagination carry the day as the child proceeds to jazz up Eugene’s precise renderings, adding dinosaurs, lasers, and robots—unpolished but attention-grabbing additions. Whether they can draw well or just love to draw, children will enjoy the efforts and friendship of the two round-faced characters. Max’s work is rendered in crayon and Eugene’s work in graphite pen. Additional, colorful illustrations are done with colored pencils, pastels, and ink. All are child-friendly and appealing, reflecting both characters’ talents and passions. Coming full circle, the book concludes with Max’s personalized step-by-step instructions for drawing a cat. Max is light-skinned and bespectacled; Eugene is dark-skinned. (This book was reviewed digitally.)

In this relatable account, a child’s struggles to draw turn to triumph. (Picture book. 4-7)

Pub Date: Oct. 18, 2022

ISBN: 978-1-5344-9341-4

Page Count: 48

Publisher: McElderry

Review Posted Online: June 21, 2022

Kirkus Reviews Issue: July 15, 2022

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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TINY T. REX AND THE IMPOSSIBLE HUG

Wins for compassion and for the refusal to let physical limitations hold one back.

With such short arms, how can Tiny T. Rex give a sad friend a hug?

Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.

Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)

Pub Date: March 5, 2019

ISBN: 978-1-4521-7033-6

Page Count: 48

Publisher: Chronicle Books

Review Posted Online: Nov. 11, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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