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SWAP!

Keep your bitcoins—you never know when somebody might need a button.

A broken-down captain and his young, peg-legged mate rediscover an ages-old system to rebuild their battered ship without spending a penny.

It’s called barter or swap, that mode of trade that requires not coinage but need. Light starts at the very beginning: the poor captain has a button, which doesn’t look very promising until a lady agrees to swap two teacups for the button, which the boy then turns around and swaps for three coils of rope. For two of the coils he gets six oars, and for two of the oars he gets six flags. Flags? Well, you never know where things may lead. Flags beget anchors that beget sails that beget ships’ wheels and birds and jaunty hats and a hand-carved figurehead. Next thing you know, the old wreck is not only seaworthy, but has a bit of dash. Light’s artwork is lightly amusing throughout, with a throng of crabbed ink lines busily filling the mostly white backgrounds, making the incidents of color—blue here, purple and orange there—the more sparkling. Complementing the smart artwork is a smart story: you don’t have to have a pocket full of gold to get by; wits often work just as well. Though the boy’s peg leg immediately conjures hoary old pirate tropes, these are honest, hard-working tars, and it’s a positive delight to see a disabled boy depicted as an equal participant in the economy.

Keep your bitcoins—you never know when somebody might need a button. (Picture book. 3-7)

Pub Date: Feb. 9, 2016

ISBN: 978-0-7636-7990-3

Page Count: 40

Publisher: Candlewick

Review Posted Online: Nov. 2, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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CHICKA CHICKA TRICKA TREAT

From the Chicka Chicka Book series

A bit predictable but pleasantly illustrated.

Bill Martin Jr and John Archambault’s classic alphabet book Chicka Chicka Boom Boom (1989) gets the Halloween treatment.

Chung follows the original formula to the letter. In alphabetical order, each letter climbs to the top of a tree. They are knocked back to the ground in a jumble before climbing up in sequence again. In homage to the spooky holiday theme, they scale a “creaky old tree,” and a ghostly jump scare causes the pileup. The chunky, colorful art is instantly recognizable. The charmingly costumed letters (“H swings a tail. / I wears a patch. J and K don / bows that don’t match”) are set against a dark backdrop, framed by pages with orange or purple borders. The spreads feature spiderwebs and jack-o’-lanterns. The familiar rhyme cadence is marred by the occasional clunky or awkward phrase; in particular, the adapted refrain of “Chicka chicka tricka treat” offers tongue-twisting fun, but it’s repeatedly followed by the disappointing half-rhyme “Everybody sneaka sneak.” Even this odd construction feels shoehorned into place, since “sneaking” makes little sense when every character in the book is climbing together. The final line of the book ends on a more satisfying note, with “Everybody—time to eat!”

A bit predictable but pleasantly illustrated. (Picture book. 3-7)

Pub Date: July 15, 2025

ISBN: 9781665954785

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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