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THE ALLIGATOR WHO CAME FOR DINNER

Appearances can be deceiving in this delightful tale.

Could Wolf and Little Lamb be making a huge mistake when they adopt a baby alligator?

After best friends Little Lamb and Wolf discover a large egg, Wolf envisions turning it into an omelet, but Little Lamb reminds him there’s a baby inside. They take the egg home, where it cracks open and a tiny alligator emerges. Little Lamb names the alligator Omelet, and he quickly attaches himself to Wolf, nibbling his ear and snuggling on his chest. Next morning, hungry Omelet trashes the kitchen and terrifies Wolf’s visiting friends—until he lathers them with “big, slobbery kiss[es].” Indeed, Omelet scares everyone until they realize just how friendly the little guy really is. Wolf assures them, “Omelet wouldn’t hurt a fly.” Badger disagrees, warning all that Omelet will gobble them up. When the river floods, the animals watch hopelessly as baby ducklings are swept away. Then Omelet surfaces, opens his huge jaws, and the ducklings disappear. Was Badger right, or is Omelet a hero? Playful cartoon illustrations, drawn with fine outlines and washed with cheery colors, rely on the wide-eyed, exaggerated facial expressions and body language of the animal characters to convey emotion and drama. Omelet may be an alligator, but he’s so darn cute, beguiling, and endearing, it’s easy to see why everyone loves him, despite his size, reptilian body, and toothy jaws.

Appearances can be deceiving in this delightful tale. (Picture book. 4-7)

Pub Date: April 20, 2021

ISBN: 978-1-68010-245-1

Page Count: 32

Publisher: Tiger Tales

Review Posted Online: March 1, 2021

Kirkus Reviews Issue: March 15, 2021

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  • New York Times Bestseller


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CREEPY CARROTS!

Serve this superbly designed title to all who relish slightly scary stories.

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  • New York Times Bestseller


  • IndieBound Bestseller


  • Caldecott Honor Book

Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.

Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.

Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)

Pub Date: Aug. 21, 2012

ISBN: 978-1-4424-0297-3

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 1, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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