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HOOEY HIGGINS AND THE TREMENDOUS TROUSERS

From the Hooey Higgins series , Vol. 3

Lots of laughs and hijinks make this fast-paced series great for readers with a sophisticated funny bone.

Best buddies Hooey and Twig are back, this time competing in a contest to invent something that will make the world a safer place.

Hooey wouldn’t usually find such a challenge particularly interesting, but health-and-safety teacher Miss Troutson is sweetening the pot. The winning design will garner tickets to the local fair. Setting his tale in the fictional English village of Shrimpton, Voake brings to life the silly machinations of Hooey, who always has some sort of half-baked plan, and his gullible pal, Twig. Here, Hooey’s plan involves entering inflatable Tremendous Trousers stuffed with bubble wrap and powered by diet soda and mints into the safety contest. Hooey’s older (and mathematically inclined) brother, Will, has ideas, too, and his scheme to make money off bully Basbo threatens Twig’s life. In the end, Twig dresses as a woman in a pair of his grandmother’s yellow stretch trousers and spews diet soda and mints all over the safety assembly. Seems those TremTrows were not so safe after all. Crazy situations follow Twig and Hooey, and each episode is described in hilarious detail with lively language (“eyes bulged like soft-boiled eggs” or “lit up like two cracked headlights”). Humorous black-and-white illustrations are the ideal foil for this over-the-top buddy tale.

Lots of laughs and hijinks make this fast-paced series great for readers with a sophisticated funny bone. (Chapter book. 7-11)

Pub Date: April 22, 2014

ISBN: 978-0-7636-6923-2

Page Count: 144

Publisher: Candlewick

Review Posted Online: Feb. 4, 2014

Kirkus Reviews Issue: Feb. 15, 2014

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THE SINGING ROCK & OTHER BRAND-NEW FAIRY TALES

Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...

The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.

Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”

Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)

Pub Date: June 18, 2019

ISBN: 978-1-59643-750-0

Page Count: 112

Publisher: First Second

Review Posted Online: April 27, 2019

Kirkus Reviews Issue: May 15, 2019

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BOOKMARKS ARE PEOPLE TOO!

From the Here's Hank series , Vol. 1

An uncomplicated opener, with some funny bits and a clear but not heavy agenda.

Hank Zipzer, poster boy for dyslexic middle graders everywhere, stars in a new prequel series highlighting second-grade trials and triumphs.

Hank’s hopes of playing Aqua Fly, a comic-book character, in the upcoming class play founder when, despite plenty of coaching and preparation, he freezes up during tryouts. He is not particularly comforted when his sympathetic teacher adds a nonspeaking role as a bookmark to the play just for him. Following the pattern laid down in his previous appearances as an older child, he gets plenty of help and support from understanding friends (including Ashley Wong, a new apartment-house neighbor). He even manages to turn lemons into lemonade with a quick bit of improv when Nick “the Tick” McKelty, the sneering classmate who took his preferred role, blanks on his lines during the performance. As the aforementioned bully not only chokes in the clutch and gets a demeaning nickname, but is fat, boastful and eats like a pig, the authors’ sensitivity is rather one-sided. Still, Hank has a winning way of bouncing back from adversity, and like the frequent black-and-white line-and-wash drawings, the typeface is designed with easy legibility in mind.

An uncomplicated opener, with some funny bits and a clear but not heavy agenda. (Fiction. 7-9)

Pub Date: Feb. 14, 2014

ISBN: 978-0-448-48239-2

Page Count: 128

Publisher: Grosset & Dunlap

Review Posted Online: Dec. 10, 2013

Kirkus Reviews Issue: Jan. 1, 2014

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