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GRANADA

Name: GRANADA
Author: Steven Nightingale
ISBN: 978-1-61902-460-1

A POMEGRANATE IN THE HAND OF GOD

by Steven Nightingale ‧ RELEASE DATE: Feb. 10, 2015

A romantic, at times overly sentimental homage to a city “perfected by catastrophe” and transformed into a place of...

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Poet and novelist Nightingale (The Wings of What You Say, 2013, etc.) makes his nonfiction debut in this rhapsodic paean to the Spanish city, where he, his wife and young daughter now live part of each year.

For the author, Granada is nothing less than idyllic, with verdant, sun-dappled gardens fragrant with orange blossoms; enchanting labyrinthine lanes; and a “rambunctious diversity” of friendly, gentle and wise neighbors who display a “helpless love” for children: “They know that children have been recently formed in heaven and so on earth need special devotions.” A “sainted notary and his equally blessed wife” provided housing for Nightingale and his family while their house was being renovated by nimble craftsmen, one “with the bearing of an Arab prince.” In spring, the “garden and house embraced one another, took up an amorous life together,” and sprouted grapevines and honeysuckle that grew into the bedrooms. In search of Granada’s glorious past, though, Nightingale discovers brutality. While the city thrived during the “lustrous” Al-Andalus period, from 700 to 1492, when Muslims, Christians and Jews coexisted, for the most part amicably, and arts and sciences flourished, conditions changed dramatically in 1492, when Ferdinand and Isabella decided to purge the area of Jews and Muslims. During the Spanish Inquisition, mosques and synagogues were razed, property confiscated, more than 5,000 books burned, and those who refused to convert to Catholicism were massacred. By 1620, the once-populous city was reduced to 6,000 who lived among rubble. In the next three centuries, the deterioration worsened, and the city became a refuge for anarchists; during the Spanish Civil War, fascists took hold. Not until 1994, when it was named a World Heritage Site, did Granada begin to revive.

A romantic, at times overly sentimental homage to a city “perfected by catastrophe” and transformed into a place of “concentrated joy.”

Pub Date: Feb. 10, 2015

ISBN: 978-1-61902-460-1

Page Count: 400

Publisher: Counterpoint

Review Posted Online: Nov. 3, 2014

Kirkus Reviews Issue: Nov. 15, 2014

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE HOT CLIMATE OF PROMISES AND GRACE
by Steven Nightingale

- BOOK REVIEW
THE THIRTEENTH DAUGHTER OF THE MOON
by Steven Nightingale

- BOOK REVIEW
LOST COAST
by Steven Nightingale

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.