by Sue Fliess ; illustrated by Simona Sanfilippo ‧ RELEASE DATE: Oct. 1, 2019
Not very nice.
Some advice for pulling the wool over Santa’s helpers’ eyes.
While the trademarked Elf on the Shelf isn’t explicitly mentioned, its all-seeing power is clearly referenced in this story about helping children stay off Santa’s naughty list. Worried kids with a range of skin tones and hair colors are addressed by the text, which asks, “what if you could trick [the elf] so that you can sneak a look? Maybe you can change his mind…and what goes in his book!” Elf distraction is the goal, and the rhyming couplets say that the best way to divert an elf’s attention is to “construct a tiny Christmas sleigh that only he could fly.” Subsequent spreads give step-by-step instructions and materials suggestions for the project, ultimately providing a guide for readers to build their own sleighs to distract the elves that spy from their shelves. In a twist at the end, the elf is so delighted by the sleigh that he rewards the children by affirming that they are on the nice list. A letter addressed to them, not a list after all, provides this affirmation, but it also could be read as suggesting bribery as a good strategy for niceness. This stance undermines the culminating message that “giving from your heart…[is] what good people do” since the children clearly had ulterior motives for their sleigh building.
Not very nice. (Picture book. 4-7)Pub Date: Oct. 1, 2019
ISBN: 978-1-5107-4430-1
Page Count: 32
Publisher: Sky Pony Press
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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by Alice Walstead ; illustrated by Andy Elkerton ‧ RELEASE DATE: Aug. 2, 2022
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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