Winning illustrations level up an uneven story.
An Indian American boy’s excitement for his first day of school is tempered when his classmates can’t pronounce his name.
Their “wrinkled foreheads” and the giggles that follow make the young boy shrink into himself. He worries that his name conjures “far-off smells,” “the hot sun,” and “sweaty crowds,” and he feels lost in their "frosty stares." With downcast eyes, he turns to his parents for an embrace. His parents turn each of his hurt feelings into a vision of joy and healing. They gently remind him how his arrival meant “wrinkled faces / Creased into smiles.” They teach him that his name signifies his culture and his roots and encourage him to celebrate his differences. The vibrant illustrations mirror the unnamed boy’s moods with cool greens and blues moving into reds and oranges as he grasps his unique identity. Though the boy’s heritage is richly conveyed through warm brown skin tones and traditional Indian clothing and food, the story lacks the depth of other recent books celebrating names and cultural identities. The text leans heavily on the parents’ perspective, with little engagement to encourage the child’s own realization of his uniqueness. In the author’s and illustrator’s notes, Kelkar and Prabhat share that they’ve had similar experiences and discuss learning to embrace the beauty and power of their names. (This book was reviewed digitally.)
Winning illustrations level up an uneven story. (Picture book. 4-8)Pub Date: Aug. 1, 2023
ISBN: 9780374314637
Page Count: 40
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 9, 2023
Kirkus Reviews Issue: June 1, 2023
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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